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The Theory and Practice of Restoration in England in the Second Half of the 19th Century: The Work of George E. Street

机译:19世纪下半叶恢复的理论与实践:乔治E.街的工作

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The Romantic vision of ancient architecture, together with the evaluation of the said architecture as historical legacy, have contributed to the extensive path followed by the discipline of architectural restoration towards its consolidation as a scientific method along the 19th and the 20th century. During the Renaissance, when attention was turned to Classic Architecture, the study of the construction methods became the first germ for recognising the value of ancient architecture, in its many styles, as historical heritage. The scientific analysis that then took place in the 19th century, framed in the philosophical trend of Positivism, was also be reflected in architectural restoration: an appropriate intervention had to begin with learning about of the history of the construction. This can easily be understood considering that the term restoration includes many medieval constructions being completed or reconstructed introducing large additions or extensions, which were done taking as reference the use of traditional construction materials with their corresponding traditional technology and the study of agreements and manuscripts. These documents were unveiled by research, in parallel to the development of the formulation of a theoretical structural model, bearing in mind that, initially, masonry, timber and cast iron were the main construction materials, and their properties dictated the nature of structural forms (Charlton 1982).
机译:古代建筑的浪漫愿景与上述建筑的评估为历史遗产,促成了广泛的道路,然后是建筑恢复的纪律,沿着19世纪和20世纪的科学方法。在文艺复兴期间,当注意力转向经典架构时,施工方法的研究成为认识到古代建筑价值的遗传,这是历史遗产。然后在19世纪发生的科学分析,陷害了实证主义的哲学趋势,也被反映在建筑恢复中:一个适当的干预必须从学习建设的历史开始。考虑到这一术语恢复包括许多正在完成或重建的术语构造或重建引入大的添加或延伸的许多中世纪结构,这是通过对应于传统的传统技术以及协议和稿件的研究来完成的使用传统建筑材料和研究。这些文件通过研究揭晓,并平行于制定理论结构模型的制定,记住,最初,砌体,木材和铸铁是主要的建筑材料,其性质决定了结构形式的性质( Charlton 1982)。

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