This paper describes a particular book called Souvenirs du monde des montagnes, which draws its iconography from the history of a Swiss mountain family from 1910 to 1930. By simply dipping into the first few pages, the reader will be lost between real and virtual universes, wonder about the evolution of the images' meanings, and question an object's true content. This setup, developed using state-of-the-art computer vision technology, offers unprecedented freedom: we can make technological references disappear to place the user in fruitful turmoil between visible and hidden meanings. The shadow of a bird flies over the pages, foxes' lanterns light up the text, paper mountains emerge. Once the last page has been turned, the reader will never look at books in the same way again.
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机译：本文介绍了一个名为Souvenirs du Monde des Montagnes的特定书，它从1910年到1930年从瑞士山家庭的历史上绘制了它的图标。通过简单地浸入前几页，读者将在真实和虚拟宇宙之间丢失，奇异于图像'含义的演变，并质疑对象的真实内容。使用最先进的计算机视觉技术开发的该设置提供了前所未有的自由：我们可以使技术参考消失，使用户将用户置于可见和隐藏含义之间的富有成效的动荡。鸟的阴影飞过页面，狐狸的灯笼着眼了文本，纸山涌现出来。一旦上一页转过来，读者再也不会以同样的方式看书。
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