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Applying signal processing in the auralization of musical pieces for subjective evaluation

机译:在主观评估中应用信号处理中的信号处理

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Generally acoustical qualities of concert halls and opera houses are evaluated in base of BIRs (binaural impulse responses) measured in them, and the anechoic music convoluted with BIR realizes the virtual sound as it were played in the sound field. Interaural Cross Correlation Coefficient (IACC) calculated from BIR is one of parameter to evaluate the spaciousness of hall. However the value of IACC is changed by the convolution technique in accordance with the kind of musical motif. For example, one binaural impulse response measured in the concert hall in Tsuyama (Japan) presents 0.16 for the value of IACC, while the IACC of the symphony "Royal Pavane" (Orlando Gibbons) convoluted with it is 0.39, and the IACC of the symphony "Symphonietta n14 the forth movement" (Malcolm Arnold) convoluted with it is 0.32. The aim of this study is to predict the value of IACC after convolution using the acoustical characteristic extracted from the musical motif.
机译:一般的音乐厅和歌剧院的声学品质在他们中测量的BIR(双耳脉冲响应)的基础上进行评估,并且与BIR卷积的Anechoic音乐意识到在声场中播放的虚拟声音。由BIR计算的互纳网互相关系数(IACC)是评估大厅宽敞性的参数之一。然而,根据音乐图案的卷积技术,IACC的价值由卷积技术改变。例如,在Tsuyama(日本)的音乐厅(日本)在Tsuyama(日本)的一个双耳脉冲响应为IACC的价值呈现0.16,而Symphony“Royal Pavan队”(奥兰多·戈信)的IACC与它卷积为0.39,而IACC Symphony“Symphonietta N14第四运动”(Malcolm Arnold)与它卷积为0.32。本研究的目的是使用音乐主题中提取的声学特征来预测卷积后IACC的值。

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