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Applying signal processing in the auralization of musical pieces for subjective evaluation

机译:在音乐作品的听觉化中应用信号处理进行主观评估

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Generally acoustical qualities of concert halls and opera houses are evaluated in base of BIRs (binaural impulse responses) measured in them, and the anechoic music convoluted with BIR realizes the virtual sound as it were played in the sound field. Interaural Cross Correlation Coefficient (IACC) calculated from BIR is one of parameter to evaluate the spaciousness of hall. However the value of IACC is changed by the convolution technique in accordance with the kind of musical motif. For example, one binaural impulse response measured in the concert hall in Tsuyama (Japan) presents 0.16 for the value of IACC, while the IACC of the symphony "Royal Pavane" (Orlando Gibbons) convoluted with it is 0.39, and the IACC of the symphony "Symphonietta nl4 the forth movement" (Malcolm Arnold) convoluted with it is 0.32. The aim of this study is to predict the value of IACC after convolution using the acoustical characteristic extracted from the musical motif
机译:通常,音乐厅和歌剧院的声学质量是以在其中测量的BIR(双耳冲激响应)为基础进行评估的,并且与BIR卷积的消声音乐可以实现在声场中演奏时的虚拟声音。根据BIR计算出的耳间互相关系数(IACC)是评价大厅空间的参数之一。但是,IACC的值会根据音乐主题的种类通过卷积技术进行更改。例如,在津山(日本)音乐厅中测得的双耳冲动响应表示IACC值为0.16,而交响乐“ Royal Pavane”(奥兰多·吉本斯)的IACC为0.39,而交响乐的IACC为0.39。与之交响的“ Symphonietta nl4第四乐章”(马尔科姆·阿诺德)为0.32。这项研究的目的是使用从音乐主题中提取的声学特征来预测卷积后的IACC值

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