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The Story Molecule: Narrative as Information

机译:故事分子:作为信息的叙述

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Although there are many theories about how creativity might contribute to a knowledge-based system, none has yet been built that can transform its own logic in a way that will further generate emergent logic, or even produce an artwork independent of human prescription. Perhaps this is because current formalizations of creativity do not take in account an insider's view of how it operates. This paper outlines a model of my fiction-writing process, and assumes that story-making is a key means of organic information organization. Four principles of this assembly process are identified: roles, relations, causality and dissymmetry. These principles offer a new perspective on how conceptual spaces are able to transform, in both artistic and scientific domains, and complements existing ideas about how to leverage the full potential of knowledge systems.
机译:虽然有很多关于创造力如何促进基于知识的系统的理论,但是没有建立的,这可以是可以以进一步产生紧急逻辑的方式改造自己的逻辑,甚至没有独立于人类处方的艺术作品改造自己的逻辑。也许这是因为当前的创造力形式鉴定不考虑内部人员的内容。本文概述了我的小说写作过程的模型,并假设故事制作是有机信息组织的关键手段。确定了该组装过程的四个原则:作用,关系,因果关系和不对称。这些原则提供了一种新的视角,就概念空间如何在艺术和科学域中转换,并补充了关于如何利用知识系统充分潜力的现有思路。

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