The construction of a major concert hall in Paris leads to questioning the role and the place of such equipment, and its filiation within a determined model. The first conclusion is that music and architecture in today's society are determinant. Each city aims at having to its own concert hall. It is a worldwide trend, and programs have been growing in the past ten years with the construction of major concert halls. Since 1963, the Berlin Philarmonic, designed and built by the architect Hans Scharoun, remains an emblematic reference. It is a remarkable piece of work that has marked the second half of the XXth century. One can then wonder about the reasons behind such an infatuation and the development of symphonic places. One can formulate the following question: "why is the Berlin Philarmonic a model for major symphonic hall?"
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