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Egyptian faience inlay techniques: a process for obtaining detail and clarity by refiring

机译:埃及的彩绘技术:通过分钱获得细节和清晰度的过程

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The faience of the New Kingdom period is frequently decorated with an expanded palette of red, black, and yellow. This polychrome decoration was often accomplished by inlaying one color of paste into another. The aesthetic success of these inlay techniques reveals a fundamental understanding of the materials' characteristics before, during, and after firing, and knowledge of how to manipulate these characteristics. The goal of this research is to more fully understand ancient Egyptian faience inlay techniques by characterizing the properties of a set of standard reproductions. As the most aesthetically successful reproductions were obtained using pre-fired components, a series of experiments was performed to quantify changes in glaze color, glaze gloss, and depth of glaze penetration upon refiring. Data was gathered from replicated samples and cross-sections using SEM, UV-VIS spectrophotometry, colorimetry, and optical microscopy. Visual comparisons were made between cross-sections of replicated inlays and examples of broken ancient Egyptian faience inlays.
机译:新王国的意古国经常装饰着一个展开的红色,黑色和黄色调色板。这种多彩装饰通常是通过将一种颜色的糊状物嵌入另一个颜色来完成。这些镶嵌技术的审美成功揭示了对射击前,期间和之后的材料的特征的基本理解,以及如何操纵这些特征的知识。本研究的目标是通过表征一套标准复制品的性质来更全面地了解古埃及的大城市镶嵌技术。随着使用预烧制组分获得最美观成功的复制,进行了一系列实验,以量化釉色,釉光泽度和釉面渗透深度的变化。使用SEM,UV-VIS分光光度法,比色法和光学显微镜从复制的样品和横截面收集数据。在复制镶嵌的横截面和破碎的古埃及城市镶嵌的例子之间进行了视觉比较。

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