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Acoustical Analysis of Coupled Rooms Applied to the Deutsche Oper Berlin

机译:应用于Deutsche Oper的耦合室的声学分析

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The aim of the project SIMOPERA is to simulate and optimize the acoustics in large and complex rooms, with special focus on the Deutsche Oper Berlin as an example of application. Firstly, characteristic subspaces of the opera are considered such as the orchestra pit, the stage and the auditorium. Special attention is paid to the orchestra pit, where high sound pressure levels can occur, leading to noise related risks for the musicians. However, lowering the sound pressure level in the orchestra pit should not violate other objectives as the propagation of sound into the auditorium, the balance between the stage performers and the orchestra across the hall, and the mutual audibility between performers and orchestra members. For that reason, a hybrid simulation method consisting of the wave-based Finite Element Method (FEM) and the Boundary Element Method (BEM) for low frequencies and geometrical methods like the mirror source method and ray tracing for higher frequencies is developed in order to determine the relevant room acoustic quantities such as impulse response functions, reverberation time, clarity, center time etc. Measurements in the opera will continuously accompany the numerical calculations. Finally, selected constructive means for reducing the sound level in the orchestra pit will be analyzed.
机译:该项目的目的是模拟和优化大型和复杂的房间的声学,专注于Deutsche Oper Berlin作为应用的示例。首先,歌剧的特征子空间被认为是管弦乐队,舞台和礼堂。特别关注管弦乐队坑,可以发生高声压力水平,导致音乐家的噪音相关风险。然而,降低管弦乐队坑中的声压水平不应违反其他目标作为声音传播到礼堂,舞台表演者与乐队之间的平衡,以及表演者和管弦乐队成员之间的相互可听性。因此,由基于波的有限元方法(FEM)和用于低频和几何方法的边界元件方法(BEM)组成的混合模拟方法以及像镜子源方法和较高频率的射线跟踪的几何方法以确定相关室声量,如脉冲响应函数,混响时间,清晰度,中心时间等。歌剧中的测量将连续地伴随数值计算。最后,将分析用于减少管弦乐队坑中声级的选择性手段。

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