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Acoustical Analysis of Coupled Rooms Applied to the Deutsche Oper Berlin

机译:柏林德意志歌剧院中耦合房间的声学分析

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The aim of the project SIMOPERA is to simulate and optimize the acoustics in large and complex rooms, with special focus on the Deutsche Oper Berlin as an example of application. Firstly, characteristic subspaces of the opera are considered such as the orchestra pit, the stage and the auditorium. Special attention is paid to the orchestra pit, where high sound pressure levels can occur, leading to noise related risks for the musicians. However, lowering the sound pressure level in the orchestra pit should not violate other objectives as the propagation of sound into the auditorium, the balance between the stage performers and the orchestra across the hall, and the mutual audibility between performers and orchestra members. For that reason, a hybrid simulation method consisting of the wave-based Finite Element Method (FEM) and the Boundary Element Method (BEM) for low frequencies and geometrical methods like the mirror source method and ray tracing for higher frequencies is developed in order to determine the relevant room acoustic quantities such as impulse response functions, reverberation time, clarity, center time etc. Measurements in the opera will continuously accompany the numerical calculations. Finally, selected constructive means for reducing the sound level in the orchestra pit will be analyzed.
机译:SIMOPERA项目的目的是模拟和优化大型复杂房间中的声学效果,并以德国歌剧院作为应用实例为重点。首先,考虑歌剧的特征性子空间,例如乐池,舞台和礼堂。要特别注意乐池,在乐池中可能会发生高声压级,从而给音乐家带来与噪声相关的风险。但是,降低乐池中的声压级不应违反其他目标,因为声音会传播到礼堂,舞台表演者与乐团之间的平衡,以及整个表演者与乐团成员之间的相互听觉。因此,开发了一种混合仿真方法,该方法包括针对低频的基于波的有限元方法(FEM)和边界元方法(BEM),以及针对较高频率的几何方法(如镜像源方法和射线跟踪),以确定相关的房间声学量,例如脉冲响应功能,混响时间,清晰度,中心时间等。歌剧中的测量将连续伴随数值计算。最后,将分析用于减少乐池中的声音水平的选定构造手段。

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