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ErHu Concerto in Eighties

机译:八十年代的二胡协奏曲

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摘要

Modern music in twenties century is directly impacted by impression is style, thus Debussy is universally acknowledged as the initiative person of modern music in twenties century. The new conception absorbing oriental elements is soon accepted by China that everything is waiting to be taken up in eighties, the concept of "chromatics" has a strong response in music field, the concept of aesthetics of East and West brings collisions, creative concept receives abstersion, the new concept has a fresh inspiration on the combination of folk music instrument and the modeling of sound shape, which has a distinctive difference from the traditional folk instruments, showing the diversification of creation phenomenon in the creative field. Erhu concertos get a special popularity during this period, which receives the development with the style of "Venting and Eruption", showing the production with thousands of multicolored gorgeously. This article chooses some common tracks of playing and teaching as there are too many works during this period.
机译:二十多世纪的现代音乐是由印象的直接影响风格,因此德彪西被称为二十世纪现代音乐的倡议人。新的概念吸收东方元素很快被中国接受,一切都在等待八十年代,“扫描物”的概念在音乐领域有很强的反应,东方和西部美学的概念带来了碰撞,创意概念接收爆发,新概念对民间乐器和声音建模的组合具有新的灵感,具有与传统民间仪器的独特差异,显示了创造性领域的创作现象的多样化。在此期间,二路协奏曲得到了特殊的普及,这是通过“通风和爆发”的风格的发展,展示了成千上万的多彩多姿的生产。本文选择了一些常见的播放和教学曲目,因为这一时期有太多的作品。

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