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We Want More: Human-Computer Collaboration in Mobile Social Video Remixing of Music Concerts

机译:我们想要更多:在移动社交视频中的人力计算机合作音乐音乐会的重新激活

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Recording and publishing mobile video clips from music concerts is popular. There is a high potential to increase the concert's perceived value when producing video remixes from individual video clips and using them socially. A digital production of a video remix is an interactive process between human and computer. However, it is not clear what the collaboration implications between human and computer are. We present a case study where we compare the processes and products of manual and automatic mobile video remixing. We provide results from the first systematic real world study of the subject. We draw our observations from a user trial where fans recorded mobile video clips during a rock concert. The results reveal issues on heterogeneous interests of the stakeholders, unexpected uses of the raw material, the burden of editing, diverse quality requirements, motivations for remixing, the effect of understanding the logic of automation, and the collaborative use of manual and automatic remixing.
机译:从音乐会录制和发布移动视频剪辑很受欢迎。在从各个视频剪辑中产生视频混音并在社交上使用它们时,有很高的潜力可以增加音乐会的感知值。数字生产视频混音是人类和计算机之间的互动过程。但是,目前尚不清楚人类和计算机之间的协作影响是什么。我们展示了一个案例研究,我们比较手动和自动移动视频重新混合的流程和产品。我们提供了第一个系统真实世界研究的结果。我们从用户试验中汲取观测,其中粉丝在摇滚音乐会期间录制了移动视频剪辑。结果揭示了利益攸关方的异质利益问题,原材料的意外用途,编辑的负担,多样化的质量要求,复仇的动机,了解自动化逻辑的效果,以及手动和自动重新混合的协同用途。

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