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We Want More: Human-Computer Collaboration in Mobile Social Video Remixing of Music Concerts

机译:我们想要更多:音乐音乐会的移动社交视频混音中的人机协作

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Recording and publishing mobile video clips from music concerts is popular. There is a high potential to increase the concert's perceived value when producing video remixes from individual video clips and using them socially. A digital production of a video remix is an interactive process between human and computer. However, it is not clear what the collaboration implications between human and computer are. We present a case study where we compare the processes and products of manual and automatic mobile video remixing. We provide results from the first systematic real world study of the subject. We draw our observations from a user trial where fans recorded mobile video clips during a rock concert. The results reveal issues on heterogeneous interests of the stakeholders, unexpected uses of the raw material, the burden of editing, diverse quality requirements, motivations for remixing, the effect of understanding the logic of automation, and the collaborative use of manual and automatic remixing.
机译:录制和发布音乐会上的移动视频片段很受欢迎。从单个视频片段进行视频混音并在社交上使用它们时,很有可能会提高音乐会的感知价值。视频混音的数字化制作是人与计算机之间的交互过程。但是,尚不清楚人与计算机之间的协作含义是什么。我们提供了一个案例研究,其中我们比较了手动和自动移动视频重新混合的过程和产品。我们提供了该主题的第一次系统的真实世界研究的结果。我们从用户试用中得出的观察结果,在摇滚音乐会中,粉丝们录制了移动视频片段。结果揭示了利益相关者的不同利益,原材料的意外使用,编辑的负担,不同的质量要求,重新混合的动机,理解自动化逻辑的效果以及手动和自动重新混合的协作使用等问题。

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