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The Usability of Music Theory Software: The Analysis of Twelve-Tone Music as a Case Study

机译:音乐理论软件的可用性:十二个音乐的分析作为案例研究

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Computer applications are an everyday tool for music analysts, composers, and music theory students. While these applications are a welcome tool to be used in the classrooms and research labs, their effectiveness could be improved by focusing on their usability. The usability of a user interface can be evaluated and even measured with respect to the goals of its users. In order to demonstrate the evaluation of a user interface, I present an experiment in which the efficiency of user interfaces is assessed in the context of three scenarios or "use cases." Based on the experiment, I discuss some basic principles of usability theory, such as affordances, minimization of navigation, error handling, immediate feedback, and data visibility. The evaluation of these principles suggests some new types of music theory applications.
机译:计算机应用是音乐分析师,作曲家和音乐理论学生的日常工具。虽然这些应用程序是在教室和研究实验室中使用的欢迎工具,但通过重点关注其可用性,可以提高其有效性。可以评估用户界面的可用性,甚至可以相对于其用户的目标进行测量。为了演示用户界面的评估,我介绍了一个实验,其中在三种情况或“用例”的上下文中评估了用户界面的效率。基于实验,我讨论了可用性理论的一些基本原则,如充分承受,导航,误差处理,即时反馈和数据可见性最小化。对这些原则的评估表明了一些新型的音乐理论应用。

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