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EXPERIMENTAL CHARACTERISATIONS OF SINGLE CANE REEDS

机译:单甘蔗芦苇的实验特征

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Single cane reeds used for playing clarinets or saxophones are described by makers by their strength and shapes (cutting). For reeds assumed to be identical according to the maker (same strength and shape), strong differences in the perceived quality are expressed by musicians. In this context, the experimental characterization of reeds (from the perceptive and objective sides) is a key issue for reed makers in order to better predict reed musical abilities. This paper presents and discuss different measurement methods. These methods can be divided into two families, measurement of the reed alone through static or dynamic measurements in order to derive stiffness and modal parameters, measurement of the "embouchure" (reed+mouthpiece+lip) alone through static or quasi-static measurements in order to estimate the non linear characteristics, the non linear reed stiffness or other mechanical parameters. Finally it appears that the most efficient characterisation of the "embouchure" is probably a static measurement.
机译:用于演奏单簧管或萨克斯管的单一拐杖簧片由制造商通过它们的强度和形状(切割)描述。对于芦苇根据制造商(相同的实力和形状),芦苇是相同的,音乐家表示感知质量的强烈差异。在这种情况下,芦苇的实验表征(来自感知和客观方)是芦苇制造者的关键问题,以便更好地预测簧片音乐能力。本文提出并讨论了不同的测量方法。这些方法可以分为两个家庭,通过静态或动态测量来单独测量簧片,以导出刚度和模态参数,通过静态或准静态测量来单独测量“胚轴”(簧片+嘴唇)为了估计非线性特性,非线性簧片刚度或其他机械参数。最后看来,“挖掘机”的最有效表征可能是静态测量。

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