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Rethink of Urban Arts: AR Technology with Participatory Experience of New Urban Arts

机译:对城市艺术的反思:具有新城市艺术参与经验的AR技术

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This paper primarily discusses the interactions between citizens and the urban arts. It uses the augmented reality (hereinafter referred to as AR) application of paintings on bridges in the Yantai Economic Development Area (hereinafter referred to as YEDA) as an example to expound the use of an AR application in urban arts and the relationship between citizens and urban arts. As long as tourists download our AR application on their smart-phones and scan the paintings on the nine bridges of the YEDA, virtual creatures related to the paintings will appear on their screens. The users will then be able to interact and play games with the virtual animals. Through such interactions, we can discover that urban arts installations are neither sole artworks nor information carriers placed in cities with the purpose of conveying certain information. In fact, they are brand-new facilities that can interact and communicate with people. They allow tourists to transfer from appreciators of turban arts to participants and creators of urban arts, formulating the fascinating interactions between human beings and urban arts.
机译:本文主要讨论市民与城市艺术之间的互动。以烟台经济开发区(以下简称YEDA)桥梁上绘画的增强现实(以下简称AR)应用为例,阐述了AR在城市艺术中的应用以及市民与居民之间的关系。城市艺术。只要游客在智能手机上下载我们的AR应用程序并扫描YEDA九座桥上的画作,与画作相关的虚拟生物就会出现在他们的屏幕上。然后,用户将能够与虚拟动物互动并玩游戏。通过这种互动,我们可以发现,城市艺术装置既不是唯一的艺术品,也不是放置在城市中以传达某些信息为目的的信息载体。实际上,它们是可以与人们互动和交流的全新设施。它们使游客从头巾艺术的鉴赏者转移到城市艺术的参与者和创造者,从而形成人与城市艺术之间令人着迷的互动。

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