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Is 'Citizen Kane' Moment Coming? - A Research on Chinese VR Documentary Practice and Storytelling

机译:“公民凯恩”时刻来了吗? -中国虚拟现实纪录片实践与讲故事研究

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"Citizen Kane" moment is the occasion when a work achieves mastery of the form, defining a language of storytelling for future creators. [1] As a newborn genre, VR documentary is currently somewhere in that intermediate phase. 2016 is the first year of Chinese VR documentary. Over the past three years, more than 100 artworks have emerged, besides, some of them has been exhibited in famous international film festival such as Cannas. The embryonic Chinese VR content industry also serves this fresh genre with a favorable environment and support. With the advent of 5G era, will the creation of VR documentaries in China usher in a new Kane moment, or encounter more cruel challenges? Through investigating the main distribution platforms and the storytelling characteristics of existing artworks, this research aims to analyze and discuss the practice environment, creation development and potential storytelling strategies of Chinese VR documentaries.
机译:“公民凯恩”时刻是指作品达到形式掌控的机会,为未来的创作者定义了讲故事的语言。 [1] VR纪录片是一种新生事物,目前处于中间阶段。 2016年是中国VR纪录片元年。在过去的三年中,已经出现了100多件艺术品,其中一些作品曾在国际著名的电影节如Cannas上展出过。新兴的中国VR内容行业也在有利的环境和支持下为这一新类型提供服务。随着5G时代的到来,中国VR纪录片的创作会迎来新的凯恩时刻,还是遇到更多残酷的挑战?通过研究主要发行平台和现有艺术品的叙事特征,本研究旨在分析和讨论中国VR纪录片的实践环境,创作发展和潜在的叙事策略。

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