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Social movement documentary practices: digital storytelling, social media and organizing

机译:社交运动纪录片实践:数字叙事,社交媒体和组织

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Scholars and activists have studied social movement media for its potential to challenge dominant narratives, build community relationships and create social change. This paper presents a case study of two short-form documentary projects with Black Lives Matter 5280 and the Service Employees International Union, Local 105 in Denver, Colorado to explore how collaborative media-making projects assist in building local grassroots campaigns of racial and economic justice. The communication strategies as well as the distribution efforts via online social networks and community screenings are discussed in order to analyse how documentaries rely upon personal narratives to animate members and allies' feelings and then connect them with traditional forms of organizing like community meetings and public demonstrations. The participatory aspects of filmmaking are viewed through democratic theory, which emphasizes the social relations of citizenship and shared communal values over material and cultural resources, rather than visual aesthetics or technical processes.
机译:学者和激进主义者已经研究了社交运动媒体对挑战主流叙述,建立社区关系和创造社会变革的潜力。本文以Black Lives Matter 5280和位于科罗拉多州丹佛市Local 105的国际雇员服务工会的两个简短纪录片项目为例,探讨协作媒体制作项目如何协助建立当地的种族和经济正义基层运动。 。讨论了交流策略以及通过在线社交网络和社区放映进行的分发工作,以便分析纪录片如何依靠个人叙事来使成员和盟友的感受动起来,然后将它们与传统的组织形式(如社区会议和公开游行)联系起来。电影的参与性是通过民主理论来审视的,民主理论强调公民社会的关系和对物质和文化资源的共同价值观,而不是视觉美学或技术过程。

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