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Constructing Montage Editing Technique in a Short Movie

机译:在短片中构建蒙太奇编辑技术

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Film editing is part of the post-production process in a film. One of film editing techniques is montage, coined by Sergei Eisenstein. Montage creates emotion and reasoning that blend with processes of intelligence, creation, and sensitive of the audience. Audience individuality is a fundamental in Eisenstein's montage concept. With the implementation of Montage editing techniques in the film, it is expected that audience not only develops emotional aspect but also able to build intellectual aspect and can provide independent overviews or draw conclusions from the film. This paper presents the process of making a short film using montage editing technique. The concept od montage by Sergei Eisenstein defined that when a thought (thesis) collides with another contrast thought (antithesis), it will result in a new and deeper thought (synthesis).
机译:电影编辑是电影后期制作过程的一部分。电影剪辑技术之一是蒙太奇,由谢尔盖·爱森斯坦(Sergei Eisenstein)创造。蒙太奇创造了情感和推理,融合了智力,创造力和对听众敏感的过程。观众个性是爱森斯坦蒙太奇概念的基本要素。通过在电影中实施蒙太奇编辑技术,可以期望观众不仅发展情感方面,而且能够建立智力方面,并能够提供独立的概述或从电影中得出结论。本文介绍了使用剪辑剪辑技术制作短片的过程。谢尔盖·爱森斯坦(Sergei Eisenstein)的概念蒙太奇定义为,当一个思想(主题)与另一种对比思想(对立)发生冲突时,它将产生一个新的更深层次的思想(综合)。

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