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Folk Music Goes Digital in India

机译:印度民间音乐走向数字化

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Folk music forms in India are rich and diverse, varying from region to region across the Indian landscape. The recent explosion of new media technologies (e.g. DVDs, CDs, mobile phones) in both rural and urban India is changing how oral folk music is being performed, produced, distributed, and shared. To further understand this impact, we conducted an extended field study across four field sites in India that are rich in folk music tradition and activity. Through a process of interviews, participant observation, focus group discussion, and content analysis with a varied group of stakeholders - including folk musicians, listeners, retailers, and radio show producers -we found that 1) there are a diverse set of motivations for performing and listening to folk music, 2) new media technologies are helping folk musicians become more popular, while reducing some streams of revenue, particularly for businesses engaged only in music production and distribution, and 3) as expected, piracy is widely tolerated by musicians, both out of apathy, and an interest in reaching new audiences with their message, while increasing their own fame and associated patronage. Based on these findings, we propose some implications for the design of an appropriate folk music sharing and distribution service that addresses these various motivations of the musicians and listeners.
机译:印度的民间音乐形式丰富多样,在整个印度景观中,每个地区都有所不同。最近在印度农村和城市中,新媒体技术(例如DVD,CD,移动电话)的爆炸式增长正在改变表演,制作,分发和共享口头民间音乐的方式。为了进一步了解这种影响,我们在印度四个民间音乐传统和活动丰富的实地进行了扩展的实地研究。通过与包括民间音乐家,听众,零售商和广播节目制作人在内的不同利益相关者进行访谈,观察参与者,进行焦点小组讨论和内容分析的过程,我们发现1)表演的动机多种多样和收听民间音乐,2)新媒体技术正在帮助民间音乐家变得更受​​欢迎,同时减少了某些收入来源,特别是对于仅从事音乐制作和发行的企业; 3)预期的是,音乐家广泛容忍盗版行为,既出于冷漠,又有兴趣通过其信息吸引新的受众,同时增加自己的名声和相关的惠顾。基于这些发现,我们为设计适当的民间音乐共享和分发服务提出了一些建议,以解决音乐家和听众的各种动机。

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