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Modern Colour Difference Equations and Their Relationship to Printed Ink Densities

机译:现代色差方程及其与印刷油墨浓度的关系

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The purpose of this research is to investigate the correlation of printed ink densities and numerical colour differences and to find out whether the ISO standard colorimetric requirements can be translated into a set of densitometric values. Can densitometers be used in pressrooms as an effective tool for colour control? Does meeting the industry standards in terms of density values (i.e., GRACoL) yield to the colour conformity? How do paper characteristics such as surface structure, colour, brightness, etc., affect the reproduced colour? Also, which one of the colour difference equations should be used in the graphic arts industry? This paper attempts to answer these questions. The results show that none of the five Delta E equations is dominant in terms of better correlation with density variations. If one chooses to use the △E2000 which correlates better with the human eyes' perception of colour variations or DIN99 because of its more uniform colour space, different tolerances than those specified in ISO 12647-2:2004 must be used. Within the group of coated stocks, the target densities achieved as the best colour match, are very close to each other, therefore it is possible to establish a target density and variation tolerance for each primary colour, in order to be used as a starting point to achieve a colour with the lowest AE as quickly as possible. However, different ink coverage is required to achieve that target density depending on the surface structure of the paper. Also, different sets of inks have different hue errors and grayness which should be considered by the printers. Densitometers can be used effectively to control the density variations and therefore colour variations during a press run, but spectrophotometers are required-and becoming more crucial than before-to precisely control the conformity of the reproduced colours.
机译:这项研究的目的是研究印刷油墨密度和数字色差之间的关系,并确定是否可以将ISO标准比色要求转换为一组光密度值。密度计能否在印刷车间用作控制颜色的有效工具?在密度值(即GRACoL)方面达到行业标准是否可以产生颜色一致性?纸张特性(例如表面结构,颜色,亮度等)如何影响复制的颜色?另外,在图形艺术行业中应使用哪个色差方程式?本文试图回答这些问题。结果表明,从与密度变化的更好相关性来看,五个Delta E方程均不占主导地位。如果选择使用与人眼对颜色变化的感觉更好的△E2000或DIN99,因为它具有更均匀的色彩空间,则必须使用与ISO 12647-2:2004中规定的公差不同的公差。在涂层原料组中,达到最佳色彩匹配的目标密度彼此非常接近,因此可以为每种原色建立目标密度和变化容限,以便用作起点以便尽快获得具有最低AE的颜色。但是,根据纸张的表面结构,需要不同的墨水覆盖范围才能达到该目标密度。而且,不同的油墨组具有不同的色相误差和灰度,打印机应考虑这些误差和灰度。密度计可以有效地用于控制印刷过程中的密度变化,从而控制颜色变化,但是分光光度计是必需的,并且比以前更加重要,才能精确地控制所复制颜色的一致性。

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