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A new digital audio system design to cope with High Audio Scene (HAS) encoding technology for all round applications

机译:一种新的数字音频系统设计,可应对所有应用场合的高音频场景(HAS)编码技术

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摘要

A brand new audio signal processing technology namely “High Audio Scene (HAS)” has been developed to compensate the inadequacies of Dolby Digital formats that widely used in daily life audio processing systems. The challenging of using Dolby systems is the expected acoustic conditions including building environment and audio configuration facilities should be satisfied. The coded multiple channels signal from HAS encoders are from ordinary stereo sources without the expensive set up in source recording. The quality of the regenerated sound is compatible to Dolby Surround EX and less acoustically controlled environment is needed. The audio systems configured either in 2.1-, 3.2- or 5.2-channel HAS format can generate a VAST and STRONG VOCAL audio effect similar to the hearing in a natural environment. However, less preserved power is need because of using interference characteristics can intensify the sound sources to many times. The technology is expected to be widely applied for different environment including classrooms, dwells, corridors, auditoriums, cinemas, and concert halls without much building re-revolution work.
机译:已经开发出一种全新的音频信号处理技术,即“高音频场景(HAS)”,以弥补在日常生活音频处理系统中广泛使用的杜比数字格式的不足。使用杜比系统的挑战在于应满足包括建筑环境和音频配置设施在内的预期声学条件。来自HAS编码器的编码多通道信号来自普通的立体声源,而在源记录中无需进行昂贵的设置。再生声音的质量与杜比环绕声EX(Dolby Surround EX)兼容,并且需要较少的声学控制环境。以2.1声道,3.2声道或5.2声道HAS格式配置的音频系统可以产生类似于自然环境中的听觉的VAST和STRONG VOCAL音频效果。但是,由于使用干扰特性,声源可以增强很多倍,因此需要保留的功率更少。预计该技术将被广泛应用于不同的环境,包括教室,住宅,走廊,礼堂,电影院和音乐厅,而无需进行大量的建筑改造工作。

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