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Bohemians and Gentlemen. The representation of artists in British society 1850-1950

机译:波希米亚人和先生们。 1850 - 1950年英国社会艺术家的代表

摘要

How do we understand the artist; how do we imagine he or she lives? Is our view formed by visiting exhibitions or artists' studios, reading criticism, biography or novels, looking at self-portraits and photographs, watching films? Do we feel we know Vermeer through looking at his paintings, reading a catalogue or Tracy Chevalier's historic novel or watching Colin Firth and Scarlet Johansson star in Girl with a Pearl Earring? In this lecture - and my proposed book - I shall be examining the multi-faceted construction of the artistic identity, the imagined artist, and how it changed across an important period in British art history. I shall be looking at the public reception and perception of the artist and the artist's own performance for his or her public, a performance that could be influenced or even controlled by the dealer. I shall trace the relationship, sometimes the battle, between two supposedly oppositional images of the artist, the bohemian and the gentleman. And the impact on these masculine concepts of the increasing presence of the female artist.
机译:我们如何理解艺术家;我们如何想象他或​​她的生活?我们的观点是通过参观展览或艺术家工作室,阅读批评,传记或小说,看自画像和照片,看电影而形成的吗?我们是否通过看维米尔(Vermeer)的画,阅读目录或Tracy Chevalier的历史小说或看《戴珍珠耳环的女孩》中的Colin Firth和Scarlet Johansson明星而认识我们?在本次演讲以及我拟议的书中,我将研究艺术家身份,想象中的艺术家的多方面结构,以及它在英国艺术史上一个重要时期的变化。我将研究公众对艺术家的接待和看法,以及艺术家自己对公众的表现,这种表现可能会受到经销商的影响甚至控制。我将追溯波希米亚和绅士的两个据称对立的图像之间的关系,有时甚至是战斗。以及这些女性艺术家的存在对这些男性观念的影响。

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    Dakers Caroline;

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  • 年度 2015
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  • 原文格式 PDF
  • 正文语种 {"code":"en","name":"English","id":9}
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