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'Why aren't we doing more with music?' An exploration of two integrative mainstream - special school music projects

机译:“为什么我们不用音乐做更多事情?”两个综合主流 - 特殊学校音乐项目的探索

摘要

Secondary school music curricula often alienate young people because of the disjuncture between their experiences of music outside and inside school (Spruce and Matthews, 2012). Music also continues having to justify its place in many secondary schools (Philpott, 2012). Offering ideas to expand music educational thinking and increase its social relevance, this research explores two secondary mainstream-special school integrative musical projects using the theoretical framework of ‘musicking’ (Small, 1998), which asserts the centrality of relationships in any form of musical performance.ududUsing two case studies, the relationships between teacher and pupil participants are explored. Small makes no mention of musicking in the context of children with special educational needs, and this study extends his ideas by developing the notion of an inclusive form of musicking in secondary music education, achieved through the musical integration of mainstream pupils with their special school peers whose verbal communication is severely limited. The self-efficacy of participating teachers is considered an important contributing factor to the projects’ perceived success, enhancing or limiting the likelihood of their application in other secondary educational contexts. Possible ways of augmenting the self-efficacy of teachers from both settings are offered, together with suggestions for future research in this field.udud
机译:中学音乐课程经常疏远年轻人,因为他们在学校内外的音乐体验之间脱节(Spruce和Matthews,2012年)。音乐还必须继续证明其在许多中学中的地位(Philpott,2012年)。本研究提供了扩展音乐教育思想并提高其社会相关性的想法,并使用“音乐”的理论框架(Small,1998年)探讨了两个主流主流特殊学校综合音乐项目(Small,1998),该关系断言了任何形式的音乐中关系的中心地位性能。 ud ud使用两个案例研究,探讨了教师和学生参与者之间的关系。斯莫尔没有在有特殊教育需求的儿童的背景下提及音乐王,这项研究通过发展主流音乐与特殊学生的音乐融合,在中学音乐教育中发展了一种包容性音乐王的概念,扩展了他的思想。言语交流受到严重限制。参与教师的自我效能被认为是该项目取得成功的重要因素,从而增加或限制了他们在其他中学教育环境中的应用可能性。提供了从两种环境中提高教师自我效能的可能方法,以及对该领域未来研究的建议。 ud ud

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    Curran Sara;

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