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Jim Rockford or Tony Soprano: Coastal Contrasts in American Suburbia

机译:Jim Rockford或Tony soprano:美国郊区的沿海对比

摘要

Both in television shows such as The Rockford Files and The Sopranos and in the fiction of writers such as John Updike, Richard Ford, and Douglas Coupland, popular culture draws a distinction between Atlantic Coast and Pacific Coast suburbs. The differences revolve around two themes. The first concerns the roles of place and space. The second is the varying weight of history, often as manifested through families and social ties. Eastern suburbs and suburbanites are commonly depicted as embedded in place, rooted in time, and entangled in social networks. Western suburbs and suburbanites are often imagined as the opposite—isolated in space, atemporal, and free (or bereft) of social bonds.* This was his presidential address at the annual meeting of the Pacific Coast Branch, American Historical Association, in Denver, Colorado, on August 10,2013.
机译:无论是在电视节目中,例如《罗克福德档案》和《黑道家族》,还是在作家约翰·厄普代克,理查德·福特和道格拉斯·库普兰的小说中,流行文化都将大西洋沿岸地区与太平洋沿岸地区区分开来。差异围绕两个主题。第一个涉及位置和空间的作用。第二是历史的重要性不断变化,通常通过家庭和社会纽带来体现。东部郊区和郊区居民通常被描述为嵌入到位,扎根于时间并纠缠于社交网络中。西方郊区和郊区居民通常被认为是相反的,他们在空间,暂时的,自由的(或失去的)社会纽带中孤立。*这是他在丹佛美国历史协会太平洋海岸分会年会上的主席致辞,科罗拉多州,2013年8月10日。

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    Abbott Carl;

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