首页> 外文OA文献 >The development of the multimedia sector in the Marseille metropolitan area: historical factors, creative resources and difficulties
【2h】

The development of the multimedia sector in the Marseille metropolitan area: historical factors, creative resources and difficulties

机译:马赛大都市区多媒体部门的发展:历史因素,创造性资源和困难

摘要

The aim of this paper is to study in what respect historical legacies and creative resources have determined the settlement of multimedia companies in the Marseille metropolitan area, the third multimedia cluster after the Paris and Lyon regions. Ann-Lee Saxenian (1994) has shown the importance of regional culture and heritage in the constitution of an economic trajectory. The pre-existence of links between the media, microelectronic or photographic industries, and of an intense cultural life can support the emergence of essential know-how for the development of a multimedia sector (Strue4ter, 2000). Marseille is a traditional filming area: in 1895, one of first cinematographic films was shot in La Ciotat. The sunny climate and splendid landscapes made it the setting for Marcel Pagnol's films in the 1930s. However, the weak presence of the press and television media didn't facilitate the emergence of large regional production or post-production groups. Yet the presence of major schools in the technical and creative fields can have significant repercussions for the constitution of a creative class (Florida, 2002). Thus, the fact that major national art schools are located in Marseille allows for the training of young talents who are initially tempted to remain within the metropolitan area thanks to good communication infrastructures (TGV, broad-band connections) and locations for start-ups (the Belle de Mai media cluster). Moreover, technical know-how, such as microelectronics or telecommunications, involve creativity, innovation and the adaptation of multimedia firms to technological changes. But, cognitive diversity generated by a social group stimulates creative individual potential (Miliken, Bartel and Kurtzberg, 2003). This explains the choice made by public authorities (the Euromue9diterranue9e program) to locate audiovisual and multimedia firms in the Belle de Mai media cluster, which accommodates Parisian firms in search of pleasant surroundings, free tax zones and cheap facilities more than local companies. But the national project for extending the Plaine Saint-Denis audiovisual cluster, located north of Paris, is likely to deter the settlement of firms in Marseille, because of the weakness of both the sector and the networks.
机译:本文的目的是研究历史遗产和创意资源在哪些方面决定了马赛都会区(仅次于巴黎和里昂地区的第三个多媒体集群)的多媒体公司的安置。安·李·萨克森(Ann-Lee Saxenian,1994)表明了区域文化和传统在经济发展轨迹中的重要性。媒体,微电子或照相产业之间的联系的存在以及强烈的文化生活可以支持多媒体部门的发展所必需的专门知识的出现(Str ue4ter,2000)。马赛是传统的拍摄地区:1895年,拉西奥塔(La Ciotat)拍摄了第一批电影摄影作品。阳光明媚的气候和灿烂的风景使其成为1930年代Marcel Pagnol电影拍摄的背景。但是,新闻媒体和电视媒体的薄弱影响并没有促进大型区域性制作或后期制作团体的出现。然而,技术和创意领域的主要学校的存在会对创意班的构成产生重大影响(佛罗里达,2002年)。因此,主要的国立艺术学校都位于马赛,这一事实允许对年轻的人才进行培训,这些年轻人最初由于良好的通讯基础设施(TGV,宽带连接)和初创企业的地理位置而很想留在大都市地区( Belle de Mai媒体集群)。此外,诸如微电子学或电信之类的技术诀窍涉及创造力,创新和多媒体公司适应技术变化的适应。但是,社会群体产生的认知多样性会激发个人创造力(Miliken,Bartel和Kurtzberg,2003年)。这就解释了公共当局(Eurom ue9diterran ue9e计划)做出的选择,以在Belle de Mai媒体集群中定位视听和多媒体公司,该公司为巴黎公司提供住宿环境,以寻找宜人的环境,免费税区和廉价设施,而不是本地公司。但是,由于该部门和网络的薄弱,国家扩展位于巴黎北部的圣丹尼斯视听群集的国家项目可能会阻止马赛公司的安置。

著录项

  • 作者

    Lusso Bruno;

  • 作者单位
  • 年度 2010
  • 总页数
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类

相似文献

  • 外文文献
  • 中文文献
  • 专利

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号