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Spaces after modernity: a systems based analysis of creativity, community and narrative formation

机译:现代性之后的空间:基于系统的创造力,社区和叙事形成分析

摘要

Drawing on principles from systems theory, critical health psychology and narrative analysis, this research sought to examine the relationships between environments that facilitate creative arts-based group work, and notions of self-governance and self-determination that they may give rise to; exploring whether such processes are discernible in speech, language and narrative formation. The research constituted an eleven month, qualitative community-university project that examined ways in which the 'Centre user and volunteer led' organisational ethos of the Brighton Unemployed Centre Families Project (BUCFP) - a charity working to relieve poverty and hardship based in the south of England - related to the forming of a creatively working and self-managing group. This sought to better understand the emergence of the group; the ways in which participation was experienced; and what (if any) effects participation may have had on sense-making and narrative formation surrounding the topic of food poverty. Using arts-based and participatory methods, the research was carried out with a group of twenty Centre users with experience of food poverty. It culminated in the production and display of an art exhibition on this topic as part of the Brighton Festival in May 2015. The research suggests that using participatory and arts-based approaches in the exploration of food poverty in the facilitative environment of the BUCFP enabled participants to examine and contest societal discourses surrounding poverty. The research describes how, through a complex interplay between group discussion and the material and semiosis of art-making, participants developed and symbolised a counter narrative that deflected stigmatising narratives surrounding food poverty, instead developing a collectivised narrative of resistance. The ability to 're-narrativise' forms of social discourse and to signify the taking of a position in the socio-cultural and political landscape through creative methods may be tied to notions of wellbeing that are important to consider within a community health milieu.
机译:这项研究利用系统理论,批判性健康心理学和叙事分析的原理,研究促进基于艺术创作的小组工作的环境与可能引起的自我管理和自我决定概念之间的关系;探索这种过程在言语,语言和叙述形式上是否可辨别。该研究构成了一个为期11个月的定性社区大学项目,该项目研究了布莱顿失业中心家庭项目(BUCFP)的“中心用户和志愿者领导”组织精神的方式-致力于减轻南部贫困和困难的慈善机构英国-与组建具有创造性的工作和自我管理的团队有关。这是为了更好地了解该小组的出现;参与的方式;以及参与可能对围绕粮食贫困这一主题的观念和叙事方式产生什么影响(如果有的话)。使用基于艺术和参与性的方法,该研究是与二十名具有粮食贫困经验的中心用户一起进行的。作为2015年5月布莱顿艺术节的一部分,它最终以该主题的艺术展览的制作和展示为基础。研究表明,在BUCFP促进环境中使用参与式和基于艺术的方法来探索食物贫困使参与者能够参与审查和辩论有关贫困的社会言论。该研究描述了如何通过小组讨论与艺术创作的材料和符号学之间的复杂相互作用,参与者形成并象征一种反叙述,这种反叙述偏离了围绕食物贫困的污名化叙述,而发展了一种反抗的集体化叙述。 “重新叙事”各种形式的社会话语,并通过创造性的方法表明在社会文化和政治环境中的地位的能力,可能与幸福感相关,而幸福感是在社区健康环境中必须考虑的重要因素。

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