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Architectural style of dawah mosque in Malaysia: from vernacular to modern structures

机译:马来西亚达瓦清真寺的建筑风格:从乡土建筑到现代建筑

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摘要

The main purpose of this paper is to document the development phases of da’wah mosque architectural style in Malaysia from pre to post - independence era. Throughout Islamic history in many Muslim and non - Muslim countries, mosque not only function as a place to perform prayers but also serves as multifunctional space to conduct various activities involving individual and communal needs like da’wah . Similar scenario also occurs in the context of Malaysia’s mosque development in which the mosque act as a sign to convey message of Islam and as symbol of da’wah . These da’wah mosque architectural style however undergo various changes due to many influencing factors like the role of mosque patron, continuous transformation of designer tastes as well as social, economic and political influence. Nonetheless, the most empowering influence is from the role of patron or client whom has the major tendency to shape the da’wah mosque based on their individual ideology that they hold onto. To analyze the mosque design and its evolution in Malaysia, interpretivism as research paradigm will be adopted. This is vital to establish set of practices in order to sort out the role and function of da’wah mosque throughout the Malaysian history. Hermeneutic on the other hand will be used as methodological approach to extract the meaning of the da’wah mosque as a ‘sign’ as well as to understand the documentation relating to the da’wah mosque as subject of research. The findings then will be analyzed using coding method. This paper, therefore, offers clear knowledge on the da’wah mosque study by widening and strengthening the understanding of Islamic architecture in Malaysia.
机译:本文的主要目的是记录独立时代之前到之后马来西亚大瓦清真寺建筑风格的发展阶段。在许多穆斯林和非穆斯林国家的整个伊斯兰历史上,清真寺不仅充当祈祷的场所,而且还是进行各种活动的多功能空间,涉及个人和社区的需求,例如da'wah。在马来西亚清真寺发展的背景下,也发生了类似的情况,清真寺是传播伊斯兰信息的标志,也是大瓦的象征。但是,由于许多影响因素(例如清真寺赞助人的角色,设计师品味的不断变化以及社会,经济和政治影响),这些da'wah清真寺的建筑风格发生了各种变化。尽管如此,最有影响力的影响还是来自赞助人或客户的角色,他们倾向于根据自己坚持的个人意识形态来塑造达瓦清真寺。为了分析清真寺的设计及其在马来西亚的演变,将采用解释主义作为研究范式。这对于建立一套做法以在整个马来西亚历史上梳理达瓦清真寺的作用和功能至关重要。另一方面,诠释学将被用作方法论方法,以提取达瓦清真寺作为“标志”的含义,并理解与达瓦清真寺有关的文献作为研究对象。然后,将使用编码方法对调查结果进行分析。因此,本文通过扩大和加强马来西亚对伊斯兰建筑的理解,为达瓦清真寺研究提供了清晰的知识。

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