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From private to public redux: the private lives of Jane Austen and Graham Greene as represented by the public worlds of film

机译:从私人到公共的革命:简·奥斯丁和格雷厄姆·格林的私人生活,以电影的公共世界为代表

摘要

This project is an examination of the process by which the mediums of literature and film intersect within the context of novel-to-film adaptation, and in the depiction of the public and private spheres of the authors and directors. The novels of Jane Austen and Graham Greene and three contemporary film adaptations of their work are analyzed. The project considers how the authors’ private and public lives influence their fiction, how the film directors’ private spheres alter their perception of the novels, and the impact these factors have on the film adaptations, which are released into the public domain. The directors use biographical aspects of the authors’ private and public lives in strikingly different ways to reflect contemporary cultural codes. The public/private dichotomy is also discussed. As technology transforms the ways in which films are viewed, the public/private spheres of the audience in relation to the content are also significantly transformed.
机译:该项目是对小说和电影改编的背景下,以及在作者和导演的公共和私人领域的描绘中,文学和电影媒介相交的过程的考察。分析了简·奥斯丁和格雷厄姆·格林的小说以及他们作品的三部当代电影改编作品。该项目考虑了作者的私人和公共生活如何影响他们的小说,电影导演的私人领域如何改变他们对小说的理解,以及这些因素对电影改编作品的影响,这些改编作品被公诸于众。导演以截然不同的方式利用作者个人和公共生活的传记特征来反映当代文化规范。还讨论了公共/私有二分法。随着技术改变观看电影的方式,与内容相关的观众的公共/私人领域也发生了巨大变化。

著录项

  • 作者

    Gregory Valerie;

  • 作者单位
  • 年度 2007
  • 总页数
  • 原文格式 PDF
  • 正文语种 English
  • 中图分类

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