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'Materials for imagination' : Shelleyan traces in Felicia Hemans's poetry after 1822.

机译：'想象的材料'：雪莱恩在费利西亚·赫曼斯（Felicia Hemans）的诗歌中的痕迹来自1822年。

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This essay takes its title from a phrase used by Maria Jewsbury in a review article of 1831, which discusses Hemans's mid-career change towards a more expressive and imaginative poetry. The essay illustrates how traces of Shelley's writings pervade the poetry of the 1820s and afterwards, and, without slighting the intertextual relations that Hemans's work has with the poetry of Byron and Wordsworth, it argues for a fuller sense of the uses to which Hemans puts Shelley's poetry. It contends that Hemans has a productive awareness of Shelley's capacity for self-conflict, and that she is able to infuse Shelleyan notes into her work in ways that help us account for her poetry's rich mingling of moods and effects.

机译：本文的标题来自玛丽亚·耶斯伯里（Maria Jewsbury）在1831年的一篇评论文章中使用的短语，该短语讨论了汉斯在职业生涯中期向更富表现力和想象力的诗歌转变的过程。这篇文章说明了雪莱的创作痕迹如何渗透到1820年代及以后的诗歌中，并且在不削弱希曼斯的作品与拜伦和华兹华斯诗歌之间的互文关系的情况下，它主张对希曼斯将雪莱的诗歌的用途有更全面的理解。诗歌。它认为，Hemans对Shelley的自我冲突能力有着丰富的认识，并且她能够以一种有助于我们解释她诗歌丰富的情绪和效果的方式将Shelleyan笔记注入到她的作品中。

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ONeill Michael;
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'Materials for imagination' : Shelleyan traces in Felicia Hemans's poetry after 1822.

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