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La temporalité de l'âme sensible dans le Voyage de Saint-Pétersbourg à Moscou

机译:从圣彼得堡到莫斯科的旅程中敏感灵魂的暂时性

摘要

The Time as a Creation of the Sensibility in A. N. Radiščev’s Journey This paper tries to show that Radiščev in his Journey does not organize the time of his narration in an objective and rational manner. In this highly sentimental book the time appears to be a creation of the traveller's feeling. The author has an obvious predilection for the temporal categories which lie outside the present, so that his hero can escape to the hard reality he watches. In spite of an apparent similarity, Radiščev's look at the future differs from an utopian vision. For him the future is mainly a shelter from surrounding world ills, which offers the hero an opportunity to lyrical effusions. So is the poetic function of the past, used by the traveller as a theme of elegiac meditation. The cyclic conception of the universe, evocated in several chapters of the Journey, unifies both of the forms of the unreal time (past and future) in an endless oscillation of the cosmic pendulum.
机译:Radiščev历程中作为感性创造的时间本文试图证明Radiščev在其历程中并没有客观客观地组织叙事时间。在这本多情的书中,时间似乎是旅行者感觉的创造。作者显然偏向于当前之外的时间类别,因此他的英雄可以逃脱到他所观看的现实中。尽管存在明显的相似之处,但拉迪奇夫对未来的看法与乌托邦式的设想有所不同。对他来说,未来主要是周围世界疾病的庇护所,这为英雄提供了抒情的机会。过去的诗意功能也是如此,旅行者将其用作挽歌冥想的主题。在《旅程》的几章中都提到了宇宙的循环概念,将宇宙的钟摆的无休止的振荡统一了两种不真实的形式(过去和未来)。

著录项

  • 作者

    André Monnier;

  • 作者单位
  • 年度 2002
  • 总页数
  • 原文格式 PDF
  • 正文语种 fre
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