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Myths of masculinity in luxury advertising - constructing an ideal male consumer

机译:奢侈品广告中男性气概的神话-打造理想的男性消费者

摘要

The purpose of this study was to explore the meanings of advertising in the context of luxury. More specifically, in this study different myths related to masculinity that are used in luxury advertising were examined and the changes of these myths were discovered. In this way, the changing story of ideal picture of manhood was examined. While women characters in advertisements have got a lot of attention in earlier studies, there seemed to be a lack of studying men and especially the topic how men are constructed in advertising. More specifically, although the change of manhood in advertising has been studied before, this research has been mainly done based on men's identity construction through advertising. Instead, a construction of an ideal male consumer through advertising has received significantly less attention and this is the research gap I have focused on in this thesis.The aim of this study is to find meanings that are communicated visually through luxury advertising. The meanings under research are related to mythologies and changing myth of masculinity in today's consumption context. The core idea of this empirical research is to find out what kinds of mythical stories are hidden visually in luxury advertising, how these meanings have been changed between the years 1996-2012 and what kind of picture of an ideal man consumer is constructed through these changed stories. In this study 12 different campaign images by Dolce & Gabbana between the years 1996 and 2012 were chosen for the analysis. The method used in this analysis was visual social semiotics, because through this theory it was possible to understand more deeply the hidden meanings in a form of mythologies in these campaign images.The key findings of this study were the three myths of masculinity found from the 12 campaign images by Dolce & Gabbana: the juxtaposition between the genders, the changing power of men and the changed ideal picture of male consumer. What was important to notice in these myths was the fact that the three myths of masculinity seem to change concurrently with the cultural and societal beliefs and values. Based on this, also the picture of an ideal male consumer has changed over time from the idealization of hegemonic masculinity to the idealization of a "new man", who has adopted more feminine characteristics both in appearance and behavior than ever before.
机译:这项研究的目的是探索奢侈品背景下广告的含义。更具体地说,在这项研究中,研究了奢侈品广告中使用的与男性气质有关的不同神话,并发现了这些神话的变化。通过这种方式,研究了关于男子气概的不断变化的故事。尽管广告中的女性角色在早期研究中得到了很多关注,但似乎缺乏对男性的研究,尤其是关于如何在广告中构建男性这一话题。更具体地,尽管之前已经研究了广告中的男子气概的改变,但是该研究主要基于通过广告来构建男性身份。相反,通过广告构建理想的男性消费者受到的关注大大减少,这是我在本文中关注的研究空白。本研究的目的是寻找通过奢侈品广告视觉传达的含义。在当今的消费背景下,正在研究的含义与神话和不断变化的男性气概有关。这项实证研究的核心思想是找出奢侈品广告中视觉上隐藏着哪些神话故事,这些含义在1996-2012年之间如何改变,以及通过这些改变如何构造出理想的男性消费者的图片故事。在这项研究中,选择了Dolce&Gabbana在1996年至2012年之间制作的12张不同的宣传图片进行分析。本分析中使用的方法是视觉社会符号学,因为通过该理论可以更深入地理解这些运动图像中某种形式的神话中的隐藏含义。本研究的主要发现是从男性中发现的三个男性气概。杜嘉班纳(Dolce&Gabbana)制作的12张宣传图片:性别,男性力量的变化与男性消费者理想形象的并置。在这些神话中需要注意的重要事实是,男性气概的三个神话似乎与文化和社会的信仰和价值观同时发生变化。基于此,理想的男性消费者的形象也随着时间的推移从霸权男性气质的理想变为“新男人”的理想,“新男人”在外观和行为上都比以往拥有更多的女性特征。

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    Säkäjärvi Sini;

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  • 年度 2013
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