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>'They Called me Matilda, and I Came to be Known as Matilda '. A study of the Concept of Identity in Lloyd Jones' Mr. Pip and Andrew Adamson's Film Adaptation
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'They Called me Matilda, and I Came to be Known as Matilda '. A study of the Concept of Identity in Lloyd Jones' Mr. Pip and Andrew Adamson's Film Adaptation
This paper discusses the role that Great Expectations and its main character Pip play in shaping Matilda's and Mr. Watts' identities. Taking Matilda as the representation of the Melanesian culture and Mr. Watts and Great Expectations of the Western's, the postcolonial discourse is set. Firstly, this paper aims to demonstrate that Matilda and Mr. Watts cross-cultural relations have an effect on both characters' identities which become hybridized. Secondly, through a deep analysis of Jones' novel and Adamson's movie adaptation, this TFG is a means to demonstrate that Adamson's adaptation keeps the essence of the book and even contributes to a better understanding of the concept of identity.
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机译:本文讨论了《 Great Expectations》及其主要角色Pip在塑造Matilda和Watts先生的身份中所扮演的角色。以马蒂尔达(Matilda)为美拉尼西亚文化的代表,以及瓦茨先生和西方人的远大期望,开始了后殖民话语的建立。首先,本文旨在证明Matilda和Watts先生的跨文化关系对两个角色的身份产生了影响,这些身份变得混杂。其次,通过对琼斯的小说和亚当森的电影改编的深入分析,该TFG是一种手段,证明亚当森的改编保留了本书的本质,甚至有助于更好地理解身份概念。
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