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Бандурное искусство Днепропетровщины: от аматорства к академизму

机译:第聂伯罗彼得罗夫斯克的班杜拉艺术:从业余到学术

摘要

The monograph on bandura art research of the Dnipropetrovsk region which includes the art of amateur bandura players in solo and choir genres in the region; concerts of local and touring kobzar and bandura players; the main features of the instruments; bandura education; festival practice; etc. Based on analizing archive sources, scientific publications and periodicals of the twentieth century, the factual picture of the events of kobzar and bandura players’ life of the region has been recreated, that disproves the common opinion about the unpopularity of bandura art in the eastern regions of Ukraine. The research of the academical process of bandura education in particularized musical educational institutions of Dnipropetrovsk has made possible to draw the conclusion about existing of the original Dnipropetrovsk school of playing the bandura that is formed on the principles of Kyiv academical school of performing on folk insruments and has become an integral component of Ukraine’s bandura art.
机译:关于第聂伯罗彼得罗夫斯克地区班杜拉艺术研究的专着,其中包括该地区独奏和合唱类型的业余班杜拉演奏者的艺术;本地和巡回的科布扎尔和班杜拉演奏者的音乐会;仪器的主要特点;班杜拉教育;节庆活动;基于对20世纪档案资料,科学出版物和期刊的分析,重现了科比沙尔和班杜拉球员在该地区生活事件的事实图景,这反驳了人们对班杜拉艺术不受欢迎的普遍看法。乌克兰东部地区。对第聂伯罗彼得罗夫斯克特定音乐教育机构的班杜拉教育的学术过程的研究,使人们可以得出关于基辅第聂伯罗彼得罗夫斯克演奏班杜拉的原始学校的结论,该学校是根据基辅大学对民间乐器和乐器进行演奏的原则形成的已成为乌克兰班杜拉艺术的组成部分。

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