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Confirming Tradition: Confirming Change – A Social History of the Cricket Tours to New Zealand in the 1930s

机译:确认传统:确认改变– 1930年代到新西兰的板球之旅的社会历史

摘要

This study examines the eight tours to New Zealand by visiting cricketing teams between 1930 and 1939. There were four tours made by the Marylebone Cricket Club along with inaugural visits by the West Indies, South Africa, an England Women's XI, and lastly the Julien Cahn XI. These tours were major events for contemporaries, attracting large crowds and much attention in the press. They are a focus for an examination of New Zealand’s relations with other parts of the world, specifically other parts of the Empire. The tours were major sporting events, but also prompted wider popular and public discussion of nationhood, race, gender and the role of sport in society and the Empire.For the New Zealand public in the 1930s, cricket was a game that connected them with their British and imperial heritage during a period of uncertainty. For the cricket community of New Zealand the tours were massive undertakings due to the substantial financial commitment required and poor results, but the tours continued because of the strong associations and core beliefs that cricket nurtured and because of a love of the game. Though these tours contained few moments of on-field achievement for the hosts they say much about how New Zealanders of that decade viewed themselves and others.Drawing primarily on the dense contemporary press coverage 'Confirming Tradition, Confirming Change' examines cricket's capacity to operate as more than a game - it acts as a conduit for understanding the broader social attitudes and beliefs of the time. Each of the tours contains an internal narrative concerning entrenched traditions and bonds and their interplay with newer realities and considerations. Cricket was largely administered by bodies that emphasised the traditions and conservative structures of the game, but the teams themselves represented and engaged with the changing expectations and realities of sport in this decade. Cricket was changing from within, exemplified by the expansion of test cricket but also influenced by external elements such as the growth of radio commentary and cinema. This study examines the eight tours in three chronologically bracketed chapters focusing on issues of race in the tours by the MCC of 1929-30, the West Indies in 1930-31 and South Africa in 1931-32; the issue of gender and identity in the tours by the MCC of 1932-33 and the England Women of 1934-35; and issues of professionalism/commercialism and differences in player and public expectations in the tours by the MCC in 1935-36, 1936-37 and the Julien Cahn XI in 1938-39. Throughout the eight tours there were tensions between tradition and change, sometimes exhibited between New Zealand crowds and visiting teams, sometimes between administrators and players. The tours may have reflected the weakness of New Zealand cricket, but the local players' and spectators' commitment to Empire is apparent through the continued perseverance at a sport that at the time represented imperial loyalty and global British communality.
机译:这项研究考察了1930年至1939年期间访问板球队的八次新西兰之旅。马里波恩板球俱乐部共进行了四次旅行,西印度群岛,南非,英格兰女足XI的首次访问,最后是朱利安·卡恩(Julien Cahn)十一。这些旅行是当代的重要活动,吸引了大批群众,并在新闻界引起了极大关注。它们是研究新西兰与世界其他地区,特别是帝国其他地区的关系的重点。巡回赛是主要的体育赛事,但也引发了关于民族,种族,性别以及体育在社会和帝国中的作用的更广泛的公众讨论.1930年代对于新西兰公众来说,板球是一种将他们与他们的人联系在一起的游戏不确定时期的英国和帝国遗产。对于新西兰的板球社区来说,由于需要大量的资金投入和糟糕的成绩,巡回赛是一项艰巨的任务,但由于板球的强大协会和核心信念以及对比赛的热爱,巡回赛仍在继续。尽管这些巡回演出为主持人带来了短暂的现场成就,但他们还是谈到了十年来新西兰人如何看待自己和其他人。主要是根据当代密集的新闻报道“确认传统,确认变化”来考察板球的运作能力。不仅仅是游戏,它还可以作为了解时代更广泛的社会态度和信念的渠道。每次旅行都包含有关牢固的传统和纽带以及它们与新的现实和考虑因素之间相互作用的内部叙述。板球主要由强调比赛传统和保守结构的机构管理,但车队本身代表并参与了这十年来不断变化的体育运动期望和现实。板球正在从内部发生变化,例如测试板球的扩大,但也受到广播评论和电影发展等外部因素的影响。本研究在三个按时间顺序括起来的章节中考察了八个巡回赛,重点讨论了1929-30的MCC,1930-31的西印度群岛和1931-32的南非的巡回赛中的种族问题;在1932-33年的MCC和1934-35年的英格兰妇女巡回演出中,性别和身份问题; MCC在1935-36年,1936-37年和Julien Cahn XI在1938-39年的巡回赛中,职业/商业主义问题以及球员和公众期望的差异。在这八次巡回演出中,传统与变化之间存在着紧张关系,有时在新西兰人群和客队之间表现出来,有时在管理人员和球员之间表现出来。巡回演出可能反映了新西兰板球的弱点,但是当地运动员和观众对帝国的承诺通过持续的坚持不懈的运动得以体现,当时这项运动代表了帝国的忠诚和全球英国的社区性。

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    Mann Owen;

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  • 年度 2011
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