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POETICS OF RESISTANCE: ECOCRITICAL READING OF OJAIDE'S DELTA BLUES HOME SONGS AND DAYDREAM OF ANTS AND OTHER POEMS

机译:抵抗的诗意:对奥雅德的三角洲蓝色和家庭歌曲以及蚂蚁和其他诗句的梦中情节的解读

摘要

Nigerian written poetry spans about six decades, from its inception, and has been a medium of engagement, decrying colonialism, cultural imperialism, socio-economic oppression and political tyranny. Tanure Ojaide’s poetic enterprise follows in the footsteps of this mould of interdiction, which can be called resistance poetics. Particularly, his collections of poetry, Delta Blues & Home Songs and Daydream of Ants and Other Poems, are illustrations of ecocritical literature. Ecocriticism in literature is a form of aesthetics that concerns itself with the nature of relationship between literature and the natural environment. Ojaide considers the ecocritical art of poetry as a kind of public duty, which he owes to the Nigerian people, to expose, reconstruct, and negate the actualities of environmental degradation in the Niger Delta region of Nigeria. The author argues that since Ojaide’s poetry intersects with the realities of ecological imperialism, it is thus a dependable barometer to gauge the Nigerian environmental/ ecological experience.
机译:尼日利亚的书面诗歌从诞生开始就跨越了大约六十年,并且一直是一种参与的媒介,谴责殖民主义,文化帝国主义,社会经济压迫和政治暴政。塔努尔·奥雅德(Tanure Ojaide)的诗歌创作遵循了这种阻截模式的脚步,这可以称为反抗诗学。特别是,他的诗集《三角洲蓝调与家庭之歌》和《蚂蚁的白日梦》和其他诗集,都是生态批判文学的例证。文学中的生态批评是一种美学形式,它与文学与自然环境之间关系的本质有关。奥雅德将诗歌的生态批评艺术视为一种公共职责,这是他对尼日利亚人民的应尽职责,以揭示,重建和否定尼日利亚尼日尔三角洲地区环境恶化的现实。作者认为,由于奥雅德的诗歌与生态帝国主义的现实相交,因此它是衡量尼日利亚环境/生态经验的可靠晴雨表。

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    NWAGBARA Uzoechi;

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  • 年度 2010
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  • 原文格式 PDF
  • 正文语种 eng
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