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Inhabiting the Image: architecture and social identity in the post-industrial city (Thesis submitted for the degree of Doctor of Philosophy)

机译:居住在图像中:后工业城市的建筑和社会身份(论文以哲学博士学位获得)

摘要

The research presented in this thesis is intended to reveal the layers of social andcultural meaning invested in a building conventionally regarded as a work of abstractaesthetic modernism, and one which has been evaluated, within the framework of anational heritage preservation policy, as an architectural landmark of the post-war eraof urban reconstruction. By combining the research methods of architectural history(archival) and of anthropology (ethnographic) I have located and interpreted thearchitecture of the Brunswick within a larger social story that demonstrates how thelived experience of a particular environment exists in parallel with the more objectiveofficial discourse that invests a work of architecture or art with cultural significance.The thesis traces the architectural inception and complex evolution of thebuilding, its critical reception, and the proposals for redevelopment that culminated ina major refurbishment and transformation of the shopping precinct in 2006. It goes onto present an ethnographic account of the Brunswick as a social, as much as anarchitectural space, and an anthropological interpretation of the relationship betweenidentity and place in terms of the specific qualities of the built environment. It showsthat the material environment becomes real and vivid to people as an embodiment ofthe social dimensions of their lives, and that the boundaries between ‘inside’ and‘outside’ – the private space of the home, and the layered sequence of public spacesextending through the building to the city beyond - are not objectively fixed, butsubjectively perceived and negotiated in different ways. Although the Brunswickexerts considerable power as a unique architectural image, its boundaries do notdefine an integrated social space, nor a unified experience of the place as a livingenvironment. Nevertheless, repeated interaction and sensory experience make it atangible architectural framework for everyday and domestic life which evidentlyshapes the view from the inside looking out.The research aims to make a significant contribution to knowledge at ameeting-point between anthropology and architecture, which might help to informfuture understanding of the interaction between people and the built habitat in modernurban societies.
机译:本论文中的研究旨在揭示在传统上被视为抽象美学现代主义作品的一栋建筑中所投入的社会和文化意义的层次,并已在国家遗产保护政策的框架内对其进行了评估,作为该建筑的标志性建筑。战后城市重建时代。通过结合建筑历史(档案学)和人类学(人种学)的研究方法,我在一个较大的社会故事中定位并解释了不伦瑞克的建筑,该故事展示了特定环境的真实经验与更客观的官方话语如何并行存在本文追溯了建筑的构想和复杂的演变,对其的批判性接受以及对重建的建议,这些建议最终在2006年对购物区进行了大规模的翻新和改建。关于不伦瑞克人种的社会学解释,以及对建筑空间的了解,以及对人类与身份之间关系的人类学解释,具体取决于建筑环境的特质。它表明物质环境对人们而言是真实而生动的,体现了他们生活的社会维度,并且“内部”与“外部”之间的界限(家庭的私人空间)以及贯穿整个公共空间的分层公共空间序列超越城市的建筑-不是客观固定的,而是以不同的方式主观地感知和协商的。尽管不伦瑞克作为一种独特的建筑形象具有强大的功能,但其边界并没有定义一个完整的社会空间,也没有定义该地方作为生活环境的统一体验。然而,反复的互动和感官体验使其成为日常生活和家庭生活的切实的建筑框架,显然从内部向外看形成了看法。该研究旨在在人类学和建筑之间的交流点上对知识做出重大贡献,这可能有助于认识现代城市社会中人与建筑栖息地之间相互作用的信息。

著录项

  • 作者

    Melhuish Elizabeth Clare;

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  • 年度 2012
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  • 正文语种 en
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