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The Last Surrealist Film plus Film Stills: 1) L’amour Fouud2) Pierre Villon meets Andre Breton on the clifftops of CapeudKidnappers

机译:最后一部超现实主义电影加电影剧照:1)L'amour Fou ud2)皮埃尔·维永在开普敦的悬崖顶上遇见安德烈·布雷顿绑架者

摘要

“The Last Surrealist was inspired by the real life Hawke’s Bay personality, William Peter Trapp, a French immigrant and refugee from the Nazis, and his alter ego Pierre Villon, who in every respect was a Surrealist. I wanted to convey the essence of this world-view, a European aesthetic in the context of the New Zealand landscape. Made with a wonderful, fully committed team the film was ambitious from the start. The guiding principle was to capture that ‘beauty’ of the transfixed moment, still frames from the film The Last Surrealist. Working with cinematographer Rewa Harre on this film was one of the profound pleasures of my life. There were moments when we were both in hysterics atudthe sheer beauty of the shots he was framing. He brought to this film an incredible formal classicism, and yet a tremendous feeling for the landscape, the drama and the poetry. The characters themselves fit into the landscape in an almost mythic sense. The main actor’s body language andudexpression will always fill me with delight, as well as a certain sadness.
机译:“最后一个超现实主义者的灵感来自现实生活中的霍克湾个性,来自纳粹的法国移民和难民威廉·彼得·特拉普以及他的替我皮埃尔·维永,他在各个方面都是超现实主义者。我想传达这种世界观的精髓,这是一种在新西兰景观背景下的欧洲美学。这部电影由一支出色的,全心投入的团队制作,从一开始就雄心勃勃。指导原则是捕捉转瞬即逝的“美”,仍然是电影《最后的超现实主义者》中的画面。与摄影师雷瓦·哈尔(Rewa Harre)合作拍摄这部电影是我一生中的最大乐趣之一。有时候,我们俩都在歇斯底里地看着他所构图的画面之美。他给这部电影带来了令人难以置信的形式古典主义,但对风景,戏剧和诗歌却有着极大的感觉。角色本身几乎以神话的感觉融入了风景。主要演员的肢体语言和沮丧总是使我充满喜悦和某种悲伤。

著录项

  • 作者

    Judge Paul; Harre Rewa;

  • 作者单位
  • 年度 2009
  • 总页数
  • 原文格式 PDF
  • 正文语种 {"code":"en","name":"English","id":9}
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