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Political alterity in Pathé’s French and British newsreel coverage of the May 1968 events in Paris

机译:Pathé的法国和英国新闻媒体对1968年5月在巴黎的事件进行报道时的政治变化

摘要

This article analyzes the use of alterity in Pathé’s British and French newsreels depicting the May 1968 events in Paris. It argues that items from both newsreels construct the viewers’ country as a center of civilized democracy, using various figures of alterity (including voiceover, dubbing, camera techniques, cuts, and other forms of editing) to distance those at home from the scenes of violence on the streets of Paris. The French newsreel presents Charles de Gaulle as a democratic leader and blames naïve students in the Latin Quarter for inflaming violent sentiments among the impressionable “ordinary workers.” By contrast, the British newsreel presents the French government as failing to control a warlike mob with unreasonable demands. Though they frame the divisions along different lines, the items from both newsreels use alterity to differentiate their audiences from the protestors on the street and to place the responsibility for the riots far from home.
机译:本文分析了Pathé在描述1968年5月在巴黎发生的事件的英国和法国新闻媒体中使用变更的情况。它认为,这两种新闻记录的内容都将观众的国家构造为文明民主的中心,并利用各种变化的形式(包括配音,配音,摄像技术,剪辑和其他形式的编辑)将家中的人们与场景隔开。巴黎街头的暴力。法国新闻报道向戴高乐(Charles de Gaulle)展示了民主领袖的形象,并指责拉丁区的天真的学生激怒了那些令人印象深刻的“普通工人”。需要。尽管他们按照不同的路线划分分歧,但这两个新闻记录中的内容都是通过变化来使听众与街头抗议者区分开来,并把骚乱的责任放在离家很远的地方。

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    Clucas Tom;

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