Michael Britton, the psychologically damaged protagonist of the NBC series Awake, creates his own alternate reality as a subconscious response to his grief following a car accident that took the life of either his wife or his son. In the series’ “Pilot”, the viewer learns through Britton’s visits to two separate therapists in two separate realities, that he lives with his wife until he goes to sleep, only to awake the next day a widow, living at home with his son. The series’ season-long mystery questions whether the world he experiences with his wife and his male therapist, or the one he experiences with his son and his female therapist, denotes true reality. Awake utilizes a complex narrative structure that mirrors Britton’s psyche as he undertakes separate investigations in each of his realities as a police detective. While the story design of Awake initially depends on a dual episodic case-of-the-week construct, where his potential dream(s) offer clues that assist him in solving the mysteries of individual police cases in two different realities, the viewer is led to question why Britton begins to experience hallucinations in each reality, and whether these visions infer that a psychological breakdown may be imminent. The proposed essay offers a close-reading of the narrative construct of Awake, considering how the series’ dystopic viewpoint counters the ambiguous thematic concerns of more popular media texts that include alternate realities, including Lost (2004 – 2010), Inception (2010) and Fringe (2008 – 2013).
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