首页> 外文OA文献 >Identity, anxiety, and ambiguity within the eighteenth-century representation of the slave: Anna Letitia Barbauld, Hannah More, and Phillis Wheatley
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Identity, anxiety, and ambiguity within the eighteenth-century representation of the slave: Anna Letitia Barbauld, Hannah More, and Phillis Wheatley

机译:十八世纪奴隶形象中的身份,焦虑和模棱两可:安娜·莱蒂蒂亚·巴尔鲍德,汉娜·莫尔和菲利斯·惠特利

摘要

Eighteenth-century poets, Anna Letitia Barbauld, Hannah More, and Phillis Wheatley represented the slave, contributing to the creation of an African identity that both challenged and affirmed the cultural perception of the African, the Other. I examined the poetry using the New Historical, Feminist, and Post-Colonial perspectives and considered the ways in which social assumptions and historical events influenced the writers in their representations of the African slave. Examining the poets' representations of the African slave allowed me to explore the act of representation and focus upon the contradictory assumptions and images that are involved with representation and its connection to the creation of identity. To understand the poets' representations of the African, it was necessary to consider their work within its historical context, particularly the eighteenth-century perceptions of ' race,' the African, and the abolitionist cause. Abolitionists attempted to create an alternative image of the African that focused upon shared human bonds and produced sympathy for the plight of the African. Barbauld's and More's poetry were written in an effort to create a sympathetic image of the African to convince the politicians to abolish Britain's participation in the slave trade; however, while speaking out against the slave trade, the two British poets created contradictory images and implied that the African belonged to an inferior ' race.' As an African native, Wheatley provides a contrast to Barbauld and More and their representations of the African which indicates that the voice of the Other is susceptible to contradictions, social assumptions, and conflicting images in the representation of the Other. Ultimately, the three women's poetry provides a case study by which to examine the conflicts and contradictions that are a part of the process of literary representation and the ways in which representation contributes to a conflicted identity.
机译:18世纪的诗人安娜·莱蒂蒂亚·巴尔博尔德(Anna Letitia Barbauld),汉娜·莫尔(Hannah More)和菲利斯·惠特利(Phillis Wheatley)代表奴隶,为非洲身份的建立做出了贡献,这一身份既挑战又肯定了非洲人“他者”的文化观念。我用新历史,女权主义和后殖民主义的观点审视了这首诗,并考虑了社会假设和历史事件影响作家表达非洲奴隶的方式。考察诗人对非洲奴隶的表象,使我得以探索表象的作法,并专注于与表象及其与身份创造有关的矛盾假设和意象。为了理解诗人在非洲的表现,有必要在其历史背景下考虑他们的作品,尤其是18世纪对“种族”,非洲人和废奴主义事业的看法。废奴主义者试图建立非洲人的替代形象,关注共同的人类纽带,并对非洲人的困境表示同情。撰写巴尔博尔德和莫尔的诗歌是为了营造一种非洲人的同情形象,以说服政客废除英国对奴隶贸易的参与。然而,在反对奴隶贸易时,两位英国诗人创造了矛盾的形象,暗示非洲人属于劣等的“种族”。惠特利(Wheatley)作为非洲人,与巴尔博尔德(Barbauld)和摩尔(More)及其非洲人的形象形成对比,这表明他人的声音很容易受到他人表示中的矛盾,社会假设和冲突图像的影响。最终,这三位女性诗歌提供了一个案例研究,通过该案例研究了作为文学表征过程的一部分的冲突和矛盾,以及表征如何促成身份冲突。

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  • 年度 1997
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  • 原文格式 PDF
  • 正文语种 English
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  • 入库时间 2022-08-31 14:38:37

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