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The Cultural Landscape Past of the Eastern Mediterranean: The Border Lord’s Gardens and the Common Landscape Tradition of the Arabic and Byzantine Culture

机译:东地中海的文化景观过去:边界主园林和阿拉伯语和拜占庭文化的共同景观传统

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摘要

An evaluation of landscape tradition, in Near and Middle East area, could emphasize a profound past of agricultural experience, as well as of landscape and garden art. In reference to this common past, Byzantine and Arabic landscape and garden art paradigms appear to be geographically and culturally correlated, as proved by a Byzantine 12th century folksong, presenting the construction of a villa, with its surrounding gardens and landscape formations, in the territory of Euphrates River. This song refers to Vasilios Digenes Akritas or ‘Border Lord’, a legendary hero of mixed Byzantine-Greek and Arab blood; ‘Digenes’ meaning a person of dual genes, both of Byzantine and Arabic origin, and ‘Akritas’ an inhabitant of the borderline. At the end of the narration of the song, contemporary reader feels skeptical. Was modern landscape and garden art born in the European continent or was it transferred to Western world through an eastern originated lineage of Byzantine and Arabic provenance?
机译:景观传统的评价,在近东和中东地区,可以强调的农业体验了深刻的过去,以及景观和园林艺术。在参考这个共同的过去,拜占庭和阿拉伯景观和园林艺术范式似乎是地理和文化相关,由拜占庭12世纪民歌作为证明,呈现别墅的建设,其周围的花园和景观结构,在境内的幼发拉底河。这首歌是指瓦西利奥斯Digenes阿克里塔斯或“边境主”,一个传奇英雄的混合拜占庭希腊和阿拉伯血液; “Digenes”意思是人双基因,无论是拜占庭和阿拉伯血统,“阿克里塔斯”边界的居民。在这首歌的叙事结束,当代读者感到怀疑。是现代景观园林艺术诞生于欧洲大陆,抑或是通过拜占庭和阿拉伯出处东部起源谱系转移到西方世界?

著录项

  • 作者

    Konstantinos Moraitis;

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  • 年度 2018
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  • 原文格式 PDF
  • 正文语种 eng
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