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Функции змеи в обрядовом фольклоре монгольских народов

机译:蒙古人民仪式民间传说中的蛇特征

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摘要

Introduction. In mythologies of the world, the image of the snake ranks among the moststudied characters and has various interpretations. In folklore of Turko-Mongols, it has also been asubject of multiple analyses. Still, the article makes a first attempt at revealing the image of the snakeas a taboo sacred character in ritual folklore of the Mongolic peoples. Goals. The paper primarilyseeks to identify functions of the snake therein, delineate the symbolic framework, reveal positive andnegative connotations. Materials and Methods. The main research method employed is that of comparative analysis instrumental in examining the image of the snake as a semiotic sign. Interdisciplinary analysis of ethnographic and folklore materials, as well as comparisons to Turkic ritual actions,expand the boundaries of identifying the semantics of the image. Results. The snake in shamanic mythology of the Mongolic peoples appears in the hypostasis of the otherworldly Spirit closely associated with the shaman. Images of snakes in cave drawings, petroglyphs, shamanic ongons (sanctuaries),and costumes emphasize their sacred function. In shamanic practice, a snake image can be used as aprotective element in the form of a walking-stick or whip. Symbolically, a snake in the form of strapsimplies a connotation of the animal’s magical abilities. The role of a mediator between worlds allowsthe snake simultaneously performing the function of a protective force. Functions of the snake in ritesare interchangeable and complement each other. Shamanic texts of the Mongolic peoples consistentlymention the main function of the snake is that of a carrier between worlds, which is closely related to its transforming abilities. Conclusions. The study resumes the snake in shamanic ritual actions of theMongolic peoples — with positive connotations — functions as an assistant, intermediary, carrier,and envoy from another world that provides communication between realms. It also reveals patternsof transcoding the snake image in different semiotic systems, interconnectedness and interchangeability of sacral reptile functions.
机译:介绍。在世界的神话,蛇的形象最行列研究人物和有各种不同的解释。在一次土,蒙古民间传说,它也一直是多重分析的主题。尽管如此,文章对在揭示蛇的形象第一次尝试作为蒙古语人民的礼仪民俗禁忌神圣性。目标。本文主要试图以识别其中的蛇的功能,描绘符号框架,揭示了阳性和负面的含义。材料和方法。所采用的主要研究方法是,在检查蛇的图像作为符号标志比较分析仪器的。人种学和民间传说材料,以及比较突厥礼仪行动的跨学科分析,扩展识别图像的语义的边界。结果。在蒙古语民族的萨满神话中的蛇出现在与萨满密切相关的超凡脱俗的精神的原质。在洞穴附图中,岩画蛇图像,萨满ongons(保护区),和服装强调自己神圣的功能。在萨满实践中,蛇的图像可以被用作在手杖或鞭的形式的保护元件。象征性的,在带的形式蛇意味着动物的魔法能力的内涵。世界之间的调停的角色允许蛇同时执行的保护力的功能。在仪式蛇的功能是可以互换的,相辅相成。一直在蒙古语民族的萨满文本提到蛇的主要功能是世界之间的载体,这是密切相关的转化能力。结论。该研究在恢复的萨满祭祀仪式的行为蛇蒙古语人民 - 有积极的含义 - 充当助手,中介,载体,而来自另一个世界,提供领域之间的交流使者。它也揭示模式的代码转换在不同符号系统,相互联系和骶爬虫功能互换性蛇图像。

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