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Inorganic pigment study of the San Pedro Gonzalez Telmo Sibyls using total reflection X-ray fluorescence

机译:使用全反射X射线荧光研究San Pedro Gonzalez Telmo Sibyls的无机颜料

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摘要

This article describes the study carried out on a series of oil paintings on canvas from the eighteenth century that were restored at Centra de Production e Investigation en Restauracion y Conservation Artistica y Bibliogrdfica - Tarea (CEIRCAB-Tarea), Buenos Aires, Argentina: the San Pedro Gonzalez Telmo Sibyls. Experimental study was undertaken to identify inorganic pigments and the technique used in their confection; and, in this way, try to add information about their local origin. Therefore special emphasis was put to infer technologies used in the manufacturing of these paintings. Elemental analysis was performed by total reflection X-ray fluorescence spectrometry (TXRF) and complemented by optical and polarized light microscopy. Microsampling was carefully done over areas of the paintings which were damaged and where a small additional loss will not be noticed. This investigation has shown that a variety of pigments were used, namely earth pigments (red and yellow ochres), white lead, vermilion, etc., and they were used either pure or in mixtures. This characterization helped conservators in their decisions regarding a better understanding of the deterioration processes. In addition, this research about the material composition allowed the art historians and restorers the possibility to obtain information about where, when or by whom The San Pedro Gonzalez Telmo Sibyls may have been painted.
机译:本文介绍了在18世纪一系列画布上进行的油画研究,这些油画在阿根廷布宜诺斯艾利斯的塔拉(CEIRCAB-塔里亚)修复和保护艺术研究与保护艺术中心进行了修复。佩德罗·冈萨雷斯(Pedro Gonzalez Telmo Sibyls)。进行了实验研究,以鉴定无机颜料及其甜食所用的技术;并以此方式尝试添加有关其本地来源的信息。因此,特别强调推断用于制造这些画作的技术。元素分析通过全反射X射线荧光光谱法(TXRF)进行,并通过光学和偏振光显微镜进行补充。在已损坏的绘画区域上进行了微采样,这些区域将不会发现少量的额外损失。该研究表明,使用了多种颜料,即土类颜料(红色和黄色石),白铅,朱红色等,并且它们既可以纯也可以混合使用。这种特征有助于保护者做出更好地了解退化过程的决定。此外,有关材料成分的这项研究使艺术史学家和修复者有可能获得有关可能在何处,何时或由何人绘制了圣佩德罗·冈萨雷斯·特尔莫·西比尔斯的油漆的信息。

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