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Crystal Alchemy

机译:水晶炼金术

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GLAZE-Hungarian potter FERENC HALMOS creates matt crystalline glazes avoiding barium carbonate. Occasionally I have seen potters 'bathing' in glazes containing barium carbonate (BaCO_3) without any protective gloves, or worse still, spraying a glaze without wearing a face mask. This is a very dangerous way of production because of the toxic characteristic of the slighty water soluble barium carbonate. (This material was used to kill rats). But in the ceramics recipe books it is rare to find matt crystalline glaze compositions without barium carbonate. In my recent research I have found new ways of creating matt crystalline glazes, having experimented with them for the last fifteen years. Numerous ground materials have been tested in my recipes, which now total more than 1500 glazes. At the beginning I was lucky to get two nice crystalline pieces out of twenty. Although still risky, the results now are much better, with an 80 percent success rate. However, sometimes a mistake results in new possibilities. It happened by accident some years ago when the electric power supply was interrupted suddenly while I was firing crystalline glazed vases. Unfortunately the firing was at the stage where the temperature had to be held at 1800deg C for four hours in order to produce nice big crystals with high glass. The supply returned only a few hours later when the temperature has fallen to 660 deg C. When I looked for a second into the kiln I saw only a few small (1-3cm) crystals on the vases and thought it best to take no more risks in improving the glaze. So I reheated the kiln to 1150 deg C and then cooled 750 deg C per hour to 1000 deg C and then finished the programme.
机译:釉面-匈牙利陶工FERENC HALMOS可以形成哑光结晶釉,避免了碳酸钡。有时我会看到陶工在装有碳酸钡(BaCO_3)的釉中“沐浴”,而没有任何防护手套,或者更糟糕的是,他们在不戴口罩的情况下喷涂釉。由于微溶于水的碳酸钡的毒性,这是一种非常危险的生产方式。 (该材料用于杀死大鼠)。但是在陶瓷食谱书中,很少找到无碳酸钡的哑光结晶釉成分。在最近的研究中,我发现了制造哑光结晶釉的新方法,并在过去的15年中对其进行了实验。在我的配方中,已经测试了许多地面材料,目前总共超过1500釉。一开始我很幸运地从二十个晶体中得到了两个不错的晶体。尽管仍然有风险,但结果现在要好得多,成功率达到80%。但是,有时错误会导致新的可能性。几年前,我在烧制水晶玻璃花瓶时突然中断了电源,这是偶然的。不幸的是,焙烧处于必须将温度在1800℃下保持四个小时的阶段,以便产生具有高玻璃的漂亮的大晶体。当温度下降到660摄氏度时,供应仅在数小时后返回。当我向窑内找一秒钟时,我在花瓶上只看到了几块小(1-3厘米)的晶体,并认为最好不要再吸收更多改善釉料的风险。因此,我将窑重新加热到1150摄氏度,然后以每小时750摄氏度的速度冷却到1000摄氏度,然后完成程序。

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