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首页> 外文期刊>Ceramic review >FERNANDO CASASEMPERE/GALERIE BESSON, LONDON
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FERNANDO CASASEMPERE/GALERIE BESSON, LONDON

机译:费南多·卡萨斯佩里/加里里·贝森,伦敦

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摘要

Like Fernando Casasempere's earlier exhibition of sculptural ceramics, which alluded to the body without being specific, his recent show is equally ambiguous in its range of references. Now there are suggestions of shadows, allusions to the body, beetles, and references to jugs and bowls - and some do have inner spaces, which, technically, constitutes a container - adding to the intriguing possibilities of what the work is 'about'. Yet any straightforward reading as vessel would be to miss the strength and potential of the work. Casasempere is involved with rock-like, high-fired forms; walls are thick, surfaces textured either by scoring or covering with a mottled matt glaze in dark greys or browns, adding to the sense of sculpture rather than pot. Shape and surface are intimately combined, further emphasising the totality of the form.
机译:就像费尔南多·卡萨森佩尔(Fernando Casasempere)较早的雕塑陶瓷展览会一样,它没有具体地提及人体,他最近的展览在其参考范围内也模棱两可。现在,有一些阴影的建议,对身体的暗示,甲虫以及对水罐和碗的暗示-有些确实有内部空间,从技术上讲,它是一个容器-为作品的“关于”增加了引人入胜的可能性。然而,任何简单易读的文章都会错过这项工作的实力和潜力。卡萨森佩雷(Casasempere)涉及岩石般的高烧形式。墙壁很厚,表面有刻痕或覆盖有暗灰色或棕色的杂色哑光釉,使表面质感增强,而不是像锅一样。形状和表面紧密结合在一起,进一步强调了形式的整体。

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