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KRISTEN GODFREY

机译:克里斯汀·戈弗雷

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摘要

It is less than six years since Kristen Godfrey graduated (Wolverhampton; 3D Design) but her work shows an established maturity. Through miniature 'flask' forms to freestanding chimney sculptures runs a firm ceramic identity, almost dateless in style, simple and strong. Each piece is thrown stoneware painted with porcelain slip then overlaid with glaze bands of different colours and thicknesses, all cleverly balanced. Her chosen palette is softly organic: grey-green, russet, lemon, a thin, sharp line of chocolate brown and a glossy celadon. There is a healthy variety of form, united by a distinctly scientific bent: jars like laboratory beakers with inverted cone bases and straight stems, and flask-like vase forms - tubular thrown stoneware - which close in at an angle, Yakult yoghurt drink style. Added to these refreshingly 'masculine' shapes are the small imprints of letters and numerals, surely a play on the serial numbers of industrial and engineering parts.
机译:克里斯汀·戈弗雷(Kristen Godfrey)毕业不到6年(Wolverhampton; 3D Design),但她的作品已经成熟。从微型的“烧瓶”形式到独立的烟囱雕塑,都具有牢固的陶瓷标识,其风格几乎永不过时,简洁而结实。每件作品都投掷涂有瓷釉的stone器,然后覆盖不同颜色和厚度的釉带,巧妙地平衡。她选择的调色板是柔和的有机色:灰绿色,赤褐色,柠檬色,细而尖锐的巧克力褐色线条和光泽的青瓷色。健康的形式多种多样,并有明显的科学倾向:像实验室烧杯一样的罐子,带有​​倒置的圆锥形底座和直的茎,以及呈烧瓶状的花瓶形式(管状的粗陶器),以一定角度封闭,呈Yakult酸奶饮料风格。除了这些令人耳目一新的“男性”形状,还有字母和数字的小烙印,无疑是对工业和工程零件的序列号的一种玩味。

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