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ISRAELI CONTEMPORARY APPLIED ARTS; WINNERS OF THE ALIX ROTHSCHILD COMPETITION

机译:以色列当代应用艺术;艾力士速跑比赛的获胜者

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摘要

The Israeli Crafts Foundation organises the AUx de Rothschild crafts competition annually. The Ben Uri Gallery in London curat-ed this show, which represented competition winners from the last five years. Although not material-specific, more than half of the exhibition was represented by ceramics. Immediately striking was the focus on land as an aesthetic, emotional and often political concern. Clay as land and buildings was clearly evoked. Much of the work expressed a preoccupation with anticipated threat, but individualised rather than structural. Dalit Taylor and Ruth Shoromi's works articulated the anxiety of the threat of violence and need for protection resulting in suffocating introspection and increasing separation. A very different narrative was expressed by Stratas of Time, a graceful evocation of drifting desert sands in vessel form.
机译:以色列手工艺品基金会每年组织AUx de Rothschild手工艺品比赛。伦敦的本乌里画廊(Ben Uri Gallery)策划了该展览,代表了过去五年的比赛获奖者。尽管不是特定于材料的,但展览的一半以上是以陶瓷为代表的。引人注目的是,人们将土地视为一种美学,情感和政治因素。土地和建筑物被认为是黏土。许多工作都表现出对预期威胁的专注,但是是个性化而非结构性的。达利特·泰勒(Dalit Taylor)和露丝·索罗米(Ruth Shoromi)的作品表达了暴力威胁的忧虑和对保护的需求,导致令人窒息的内省和日益加剧的分离。时间的策略(Stratas of Time)表达了一种截然不同的叙述,优美地唤起了船只形式的沙漠沙流。

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