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首页> 外文期刊>Microscopy and microanalysis: The official journal of Microscopy Society of America, Microbeam Analysis Society, Microscopical Society of Canada >On the Use of the Unusual Green Pigment Brochantite (Cu-4(SO4)(OH)(6)) in the 16th-Century Portuguese-Flemish Paintings Attributed to The Master Frei Carlos Workshop
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On the Use of the Unusual Green Pigment Brochantite (Cu-4(SO4)(OH)(6)) in the 16th-Century Portuguese-Flemish Paintings Attributed to The Master Frei Carlos Workshop

机译:论在弗雷·卡洛斯大师作坊的16世纪葡萄牙-佛兰芒画中使用不常见的绿色颜料青铜矿(Cu-4(SO4)(OH)(6))

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摘要

This paper reports an unusual green pigment, brochantite (Cu-4(SO4)(OH)(6)), on 16th-century Portuguese-Flemish paintings, attributed to the Master Frei Carlos workshop. This green mineral is usually identified as an impurity or alteration product in the green pigments verdigris (Cu(CH3COO)(2) nCu(OH)(2)) or malachite (CuCO3 Cu(OH)(2)). However, after thorough investigation with a broad range of analytical techniques, it became clear that, in this case, brochantite was applied as a pigment. The abundance, pigment granulometry, and pigment morphology suggest intentional use by this Portuguese-Flemish Master as a natural pigment rather than its accidental use as an alteration product. This seems to be a distinguishable feature to other painters (Flemish and Portuguese) working in Portugal at the beginning of the 16th century.
机译:本文在16世纪的葡萄牙佛兰德画作中报告了一种不寻常的绿色颜料,青铜矿(Cu-4(SO4)(OH)(6)),这归因于弗莱卡洛斯大师工作室。这种绿色矿物通常被认为是绿色颜料铜绿(Cu(CH3COO)(2)nCu(OH)(2))或孔雀石(CuCO3 Cu(OH)(2))中的杂质或蚀变产物。但是,经过广泛的分析技术的深入研究后,可以清楚地看到,在这种情况下,将青铜矿用作颜料。丰度,颜料粒度和颜料形态表明,这名葡萄牙佛兰德大师故意将其用作天然色素,而不是意外地将其用作改质产品。对于16世纪初在葡萄牙工作的其他画家(佛兰德语和葡萄牙语)而言,这似乎是一个与众不同的特征。

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