...
首页> 外文期刊>Epileptic disorders: international epilepsy journal with videotape >Implacable images: why epileptiform events continue to be featured in film and television.
【24h】

Implacable images: why epileptiform events continue to be featured in film and television.

机译:难以理解的图像:为什么癫痫样事件继续在电影和电视中出现。

获取原文
获取原文并翻译 | 示例
   

获取外文期刊封面封底 >>

       

摘要

Epileptiform events have been portrayed in film since 1900 and on television since the 1950's. Over time, portrayals have not reflected medicine's understanding of epilepsy. At present, it is unlikely that individuals who do not have a close relationship with someone with a seizure-disorder will witness a seizure. Because fictive and often incorrect images appear increasingly, many think of them as accurate depictions. The research addresses three questions in relation to these images: How do directors use the images? Why do uses of seizures in visual media not reflect contemporary scientific knowledge? Why have they persisted and increased in use? Data consist of material from 192 films and television episodes. The general category of seizures includes seizures in characters said to have epilepsy or some other condition, seizures related to drug or alcohol use, pseudoseizures and feigned seizures, and, a category in which, for example, someone is described as "having a fit." The research demonstrates how epileptiform events drive the narrative, support the genre, evoke specific emotional reactions, accentuate traits of characters with seizures, highlight qualities of other characters through their responses to the seizures, act as catalysts for actions, and enhance the voyeuristic experience of the audience. Twenty video sequences are included in the manuscript. The authors conclude that the visual experience of seizures remains so enthralling that its use is most likely to increase particularly on television, and that as the public has less experience with real seizures, depictions in film will continue to be more concerned with what the image can do for the show and less interested in accurate portrayals. Ways to influence depictions are suggested.
机译:癫痫样事件从1900年开始在电影中被描绘,从1950年代开始在电视中被描绘。随着时间的流逝,刻画并不能反映医学对癫痫病的理解。目前,与患有癫痫病的人没有亲密关系的个人不太可能目睹癫痫发作。由于虚构且经常不正确的图像越来越多地出现,因此许多人将其视为准确的描绘。研究针对这些图像提出了三个问题:导演如何使用图像?为什么在视觉媒体中使用癫痫发作不能反映当代科学知识?为什么它们会坚持使用并增加使用量?数据包括192部电影和电视剧的资料。癫痫发作的一般类别包括据说患有癫痫病或某些其他病症的字符的癫痫发作,与吸毒或酗酒有关的癫痫发作,假性癫痫发作和假冒性癫痫发作,例如,有人称其“健康”。 ”该研究表明癫痫样事件如何驱动叙事,支持体裁,引起特定的情感反应,通过癫痫发作强调角色的性格特征,通过其对癫痫发作的反应突出其他角色的素质,充当行动的催化剂并增强对人类的窥淫癖性体验观众。手稿中包含20个视频序列。作者得出的结论是,癫痫发作的视觉体验仍然令人着迷,以至于尤其是在电视上,癫痫发作的使用极有可能会增加,并且由于公众对真正癫痫发作的经验较少,电影中的描绘将继续更加关注图像的清晰度。参加演出,对准确的描绘兴趣不大。建议了影响描绘的方法。

著录项

相似文献

  • 外文文献
  • 中文文献
  • 专利
获取原文

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号