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A brush with nature

机译:大自然的画笔

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The finest nature writing successfully incorporates our own culture and emotions into the observation and understanding of wildlife. There is, at last, something of a renaissance in home-grown nature writing. And - no surprise, perhaps, after decadesof derring-do and feigned masculine detachment - it's women who are leading the singing, a singing coming uncompromisingly from the heart. Kathleen Jamie's Findings includes an essay on the breeding peregrines she can see from her attic window, and a meditation of piercing intelligence and poignancy on the exhibits in a medical museum. In Tigers in Red Weather, Ruth Padel recounts her quest for William Blake's heroic beast, "burning bright", as she seeks her own independence at the end of a love affair. And in her forthcoming Echo Lands, Geraldine Taylor weaves together her sparkling explorations of Leigh Woods, in the Avon Gorge near Bristol, with memories of her son.
机译:最好的自然著作成功地将我们自己的文化和情感融入了对野生动植物的观察和理解中。最后,在本土自然写作中有了某种复兴。而且-奇怪的是,经过数十年的反复无常和假装的男性支离破碎之后-领导歌唱的是女性,这是一种发自内心的歌声。凯瑟琳·杰米(Kathleen Jamie)的发现包括一篇关于她从阁楼窗户上可以看到的繁殖学说的文章,以及对医学博物馆展品中刺耳的智慧和凄美的沉思。在《红色天气的老虎》中,露丝·帕德尔(Ruth Padel)讲述了她对威廉·布雷克(William Blake)英勇的野兽“燃烧的光芒”的追求,因为她在恋爱结束时寻求独立。杰拉尔丁·泰勒(Geraldine Taylor)在即将到来的《回声之地》(Echo Lands)中,编织了她在布里斯托(Bristol)附近的埃文峡谷(Avon Gorge)对利·伍兹(Leigh Woods)的精彩探索,怀念着儿子。

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